It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 6, 2012, 11:53 AM
http://blogs.indiewire.com/womenandhollywood/guest...
The first time I told some friends that I was working on a film about a man in an iron lung trying to lose his virginity, I got looks that were somewhere between incredulity and pity. I could tell they thought that watching it would be more like politically correct homework than a movie anyone would want to see. But Ben Lewin's script, The Sessions, was far from that. It was a compassionate, humorous story about a disabled man's journey to adulthood that was surprisingly universal.
#lisa bromwell#editing#film editor#postproduction#film editing#cookingDecember 6, 2012, 11:11 AM
http://www.audiomicro.com/royalty-free-music-blog/...
In this quick tip, I show you how to create a custom 3D transition inside Premiere Pro using only native tools.
#editing#3d#premiere pro#transitions#customDecember 5, 2012, 07:34 AM
http://ronsussmanedits.blogspot.ca/2012/12/is-edit...
In today's digital age of ftp, Drop box, "the cloud", why isn’t there more of a lure and desire from clients to work with an editor remotely? The big studios do it all the time with 3D specialists based all over the world and even render to remote locations.
#film editing#craft#clients#ftp#artDecember 5, 2012, 07:29 AM
http://blogs.nppa.org/editfoundry/2012/12/04/pacin...
Pacing - To advance or develop (something) at a particular rate or tempo. That is the definition I pulled that is most appropriate. Pacing first and foremost should advance your story. How do you advance your story with pacing you ask? The pace of a story, or a section of the story tells the viewer...
#editor#film editing#pacing#tempo#rateDecember 4, 2012, 03:17 PM
http://www.cceditors.ca/2012/12/04/the-names-glen-...
The British filmmaker recalls how his memorable editing and second-unit work led to a career as the most prolific James Bond director...
#editor#john glen#british filmmakerDecember 4, 2012, 03:02 PM
http://feedproxy.google.com/~r/DigitalFilmmakersPo...
Ryan has been editing "Modern Family," beginning with the pilot in 2009. She is an Emmy Award-winning editor with three nominations. She realized early on that her passion was for cutting comedy. Listen to Ryan tell her story...
#avid#film editor#film editing#ryan case#modern familyDecember 4, 2012, 08:18 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The groaning static of an echo long lost ushers in Kyle Cooper and Imaginary Forces' gracefully gelid title sequence to Lawrence Kasdan's 2003 flop, Dreamcatcher. And while the film itself might be shambolic, baffling - alright, downright crummy - one thing is clear: this sequence is about tone. As we descend into a steely, ticking beat and a constellation of synthesizer notes tinkles along, elaborate webs of sinew, frosted feathers, and snow-capped mountain ranges come together...
#art of the title#dream catcherDecember 3, 2012, 08:53 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/1qpA...
Film racing can be fun. Or not. In this special edition TMM, Kylee Wall comes clean about how she nearly ruined a 48 Hour Film with a single click. Yeah, we figured the hosts should probably come clean if we’re asking everyone else to confess too. We’ll get Kes on here soon. The 48 Hour...
#gordon#kyleeDecember 3, 2012, 08:50 PM
http://www.creativeplanetnetwork.com/2-pop/news/ti...
Life of Pi editor Tim Squyres sat down with Avid Rough Cut to talk about his two-decade professional relationship with Ang Lee . He says, "We kind of grew up doing this together. I learned to cut features cutting Ang Lee footage. And he did all his directing, until Brokeback Mountain...
#tim squyres#life of pi#film editor#ang leeDecember 3, 2012, 02:56 PM
https://www.aotg.com/robert-eisenhardt-a-c-e-editing-valentino/
Editor Robert Eisenhardt, A.C.E. discusses the importance of choosing the correct tone as seen in "Valentino: The Last Emperor."
#ace#editing#film editor#documentary#robert eisenhardt#valentino#the last emperor
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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