It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 10, 2012, 11:30 AM
http://trackmattemoment.tumblr.com/post/3114519103...
Track Matte Moment Ep. 1 with Joel Yeaton as he talks about Timecode troubles in Premiere Pro and how he overcame them.
September 9, 2012, 11:02 PM
http://kyleesportfolio.com/blog/?p=715
Since we met up at NAB in April, Kes Akalaonu and I have been working on developing a podcast, which was unleashed upon the world this weekend. The Track Matte Moment is a podcast filled with an honest conversation about...
September 6, 2012, 10:18 PM
http://kyleesportfolio.com/blog/?p=713
This is an on-going post-production diary I’m keeping while I cut my first feature, The Impersonators, an indie comedy. Before the failure, a success: the first teaser trailer was released a couple days ago: And now the rest. As I … Continue reading →
September 6, 2012, 11:16 AM
https://www.aotg.com/jennifer-proulx-below-the-line/
Below the Line - Editor - Sundance Channel from Sundance Channel on Vimeo.
September 6, 2012, 11:16 AM
http://editorunderconstruction.blogspot.com/2012/0...
Editing Materclass (42') - Pietro Scalia Interview at Topanga Film Festival 2010 from Topanga Film Festival on Vimeo.
September 6, 2012, 07:18 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
In early August, the American Cinema Editors (ACE) presented its fifth annual EditFest LA at Universal Studios. The event drew an audience of editors, aspiring editors, other post-production personnel and students from Los Angeles as well as from San Francisco, New York, Kansas City, Memphis and Boston. Attending from outside the United States were four members of the Canadian Cinema Editors and the president of the Netherlands Association of Cinema Editors.
September 6, 2012, 07:17 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
The courageous post crew of "Hot Set" will return to work on Monday with MPIPHP benefits! They struck Blueprint Post on Wednesday, and, after three days of picketing, won an agreement to ensure that postproduction on "Hot Set" will be done under a union contract. Kudos to the crew for the extraordinary bravery they demonstrated in this struggle.
September 6, 2012, 07:09 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
A change in movie storytelling and editing was already under way when French film critic and soon-to-be film director Alexandre Astruc wrote these words in an article in the magazine Ecran Francais in 1948. The change he saw was the growing influence of the longer-take, depth-of-field photography...
September 6, 2012, 07:07 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
During the span of time between 1965 and 1975, the West Coast Editors Guild, Local 776, saw technological and social changes that mirrored the tumult in the larger culture.
September 6, 2012, 07:05 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Darrin Navarro came to editing via a familiar path: An interest in movies led him to film classes at Los Angeles City College. Within a week or two of seeing what could be done by manipulating the choice of moving images, he knew this was the job for him. A professor got him an internship filing trims with Roger Corman's New Horizon company, which led Navarro to kick around the low-budget exploitation world for a while, picking up gigs as he could.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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