It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 5, 2012, 09:18 PM
The documentary editor whose credits include Senna, McLibel and the forthcoming Shadows of Liberty delivers an Editing Mini Masterclass.
September 5, 2012, 09:17 PM
The editor discusses his work on Senna, and the process behind finding the right story to tell when editing documentaries.
September 5, 2012, 09:16 PM
https://www.aotg.com/mat-newman-big-questions/
The editor of Drive, Bronson and Valhalla Rising answers BAFTA's three Big Questions.
September 5, 2012, 03:33 AM
http://monicaedits.tumblr.com/post/30670155994/edi...
Uncover the excitement and skills required to edit for Live Television. I talk about the prep work required, the unforeseen challenges, and the just plain fun of editing for the Grammy Red Carpet Event.
September 4, 2012, 04:19 PM
http://www.joyoffilmediting.com/index.php/archives...
The image from the last post is a popular misconception of what editors do to actors - leave them on the cutting room floor in a heap of film. Wrong on so many levels! We cut digitally, not on film these days. We are the actor's best friend (more below). While an editor may participate...
September 4, 2012, 09:24 AM
https://www.aotg.com/chris-king-and-gregers-sall-bafta-on-senna/
Editing Senna...
September 3, 2012, 02:21 PM
http://feedproxy.google.com/~r/industryhappenings/...
September 3, 2012, 02:21 PM
https://www.aotg.com/lindsay-utz-interview-pt3/
In this episode Lindsay and I discuss working on footage and maintaining your objectivity. As well as dealing with difficult subject matter.
September 3, 2012, 08:04 AM
http://feedproxy.google.com/~r/industryhappenings/...
A Cut Above The Rest: An In-Depth Look At The World of Editing and Post-Production Presented by IndieCon Learn the tricks of the editing and post-production trade from industry professionals. At the IndieCon Editing and Post-Production Workshop you will hear from prominent speakers including Sean Albertson (RAMBO, WARRIOR and KILLING SEASON) and Michael Miller...
September 2, 2012, 07:40 PM
http://jamiecobb.com/2012/09/a-challenging-scene/
At one point or another we have all faced a challenging scene. The scene that no matter what...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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