It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 14, 2011, 10:38 AM
http://www.finalcutpro.es/2011/07/basico-gestion-d...
After echo everything about the new version of Final Cut Pro and review it, we will begin to break down the program, as we have been doing for years with the FCP "classic." (In Spanish)
July 13, 2011, 03:25 PM
http://www.dv.com/article/108830
Apple Final Cut Pro had been rocking along for twelve years, gaining professional market share and becoming a versatile platform for many editors, facilities and developers. But in recent years it became clear that a complete, from-the-ground-up rewrite was needed to modernize the code and feature set. In typical Apple fashion, this also offered the opportunity to re-imagine the inherent concepts of nonlinear editing.
July 13, 2011, 03:23 PM
http://www.redgiantsoftware.com/blog/2011/07/13/od...
With over fifteen years of postproduction experience to his credit, Compositor, Motion Graphics and Visual Effects Artist, Owain Street has lent his creative expertise to numerous commercials and title sequences for broadcast TV.
July 13, 2011, 12:01 PM
http://notesonvideo.blogspot.com/2011/07/final-cut...
Yes! It's possible to override the FCPX magnetic timeline and create "space" in the timeline. Jonathan looks at how to apply the Broadcast Safe Filter in FCPX, and how to avoid mistakes...
July 13, 2011, 09:04 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics -- A Creative Cow series for new users of Adobe After Effects. 5: In this fifth tutorial, Andrew Devis explains how to name items in your project panel, timeline and effects control panel and then goes on to show how to organize your assets in your project panel so that the items are easy to find and your project will be simple to understand
July 13, 2011, 09:02 AM
http://dylanreeve.com/videotv/2011/future-of-post....
A year ago – even six months ago – there was no sign of dissruptive change in the film and television post production industry. Obviously things were changing, the highest-end gear was starting to make it’s way to the lower tiers (Smoke for Mac, DaVinci Resolve) but all that was changing there was the accessibility of existing tools for a wider audience.
July 13, 2011, 09:00 AM
http://blogs.creativecow.net/blog/5437/the-realiza...
When I posted the first comments on FCPX 4 weeks ago, I thought I was going to be strung up and burned at the stake by some of the commentary. Now everyone seems resolute to the fact that FCPX is finally out and it does not do a lot of what its predecessor did.
July 13, 2011, 08:56 AM
http://www.chrisjonesblog.com/2011/07/grading-5d-f...
During the Guerilla Film makers masterclass, I showed a film that I made recently for a corporate client, a drama set at a wedding. it was shot on both 5d and 7d and the cut I screened at the class was an incomplete ungraded cut.
July 13, 2011, 08:54 AM
http://alex4d.wordpress.com/2011/07/13/secret-fcpx...
If you take a look inside Final Cut Pro X 10.0, you can find some interesting elements that might be there to support features that aren't available yet.
July 12, 2011, 03:41 PM
http://www.studiodaily.com/blog/?p=6860
If you're digging in and learning/working with Final Cut Pro X, you might be interested in a few recent freebies that alex4d has placed online for us all to download and use. FCPX is built on a new effects architecture and uses Motion templates to make up an FCPX effect. That's exactly how Alex's tools were built. You don't have to have Motion 5 installed to make use of them, either ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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