It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 23, 2019, 06:15 AM
http://www.studiodaily.com/2019/04/editing-spider-...
“Animation is an iterative process, and it’s changing every step of the way,” said editor Robert Fisher Jr. at NAB earlier this month, discussing the creative collaboration that brought the widely acclaimed animated feature Spider-Man: Into the Spider-Verse to movie theater screens last year. To illustrate his point, Fisher came to a Monday morning panel […] The post Editing in the Spider-Verse: How Key Scenes Changed on the Way to the Screen appeared first on Studio Daily.
April 23, 2019, 06:15 AM
https://www.premiumbeat.com/blog/interview-compose...
There is a playful exuberance to composer David Schwartz‘s work. PremiumBeat sat down with the man behind Arrested Development, Veep, and the The Good Place to talk about edgy, smart comedy — and why it’s important to score what’s not on the screen.
April 23, 2019, 06:14 AM
https://3dtotal.com/news/general/the-man-in-the-hi...
Barnstorm VFX have shared a VFX breakdown of their work on season three of The Man in the High Castle.
April 22, 2019, 06:23 AM
https://beforesandafters.com/2019/04/22/going-back...
PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).
April 21, 2019, 07:28 AM
https://www.screeneditors.com.au/mining-the-story-...
Trybooking link: https://www.trybooking.com/book/event?eid=494674
April 20, 2019, 04:58 AM
http://saeditores.org/Novedades/Convocatoria-a-la-...
El Consejo Directivo de la Sociedad Argentina de Editores Audiovisuales Asociación Civil, SAE, convoca a lxs asociadxs a la Asamblea General Ordinaria que se celebrará el día sábado 27 de abril de 2019 a las 10:00 horas en el local sito en Juncal 2029 de la Ciudad Autónoma de Buenos Aires...
April 20, 2019, 04:58 AM
https://www.screeneditors.com.au/show-us-what-you-...
South Australian Editors! Submit your latest work-in-progress edit, or finished film, TV commercial, corporate, documentary, music video, ANYTHING you have made, to screen at our showcase. Playing on the big screen at the South Australian Film Corporation on June 3rd from 6pm-9pm. You have 10 minutes to play your film, and tell us a little […]
April 19, 2019, 12:37 PM
https://www.slashfilm.com/shazam-editor-michel-all...
Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.
April 19, 2019, 05:46 AM
http://www.philiphodgetts.com/2019/04/resolve-16-a...
While I’m still to see a demo, there are few announced features that I definitely think are in the right direction, particularly those driven by Resolve’s “Neural Engine.” It seems, like Adobe Sensei and Apple’s CoreML, to be a playback engine that implements the Machine Learning models in practical tools. Improved retiming, facial recognition, color […]
April 18, 2019, 09:31 AM
https://cinefex.com/blog/now-showing-cinefex-164/
Spring is here, and it reminds me that, for Cinefex, every year is a bifurcated one. Roughly, the six-month period of April through September brings with it the release of many large-scale, effects-heavy movies – the kind of movies that are our raison d’être. In contrast, the six months between October and March offer up a very different – shall we say, ‘more serious’? – type of film, those in which Nicole Kidman’s fake nose piece in The Hours is the most effects-y thing on the me...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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