To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Dunkirk editor Lee Smith to speak at EditFest Lond
April 16, 2019, 06:19 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Oscar-winning editor Lee Smith, ACE, will be on hand at American Cinema Editors’ EditFest London (https://americancinemaeditors.org/editfest-london/), where he will discuss his career. EditFest returns to the UK on June 29th and will feature panels comprised of some of the industry’s top editors, all of whom will share experiences and insights from their work on feature films, documentaries and television programming.
Ana Godoy recibió el Premio al Mejor Montaje en e
April 16, 2019, 06:18 AM
http://saeditores.org/Novedades/Ana-Godoy-recibio-...
En el marco del 21° BAFICI, Ana Godoy recibió el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina por su tarea en la película La vida en común, dirigida por Ezequiel Yanco.
FMX2019 - Avengers Endgame and Captain Marvel
April 16, 2019, 06:18 AM
https://www.artofvfx.com/fmx-2019-avengers-endgame...
New speakers have been added such as Overall VFX Supervisor Dan DeLeeuw and Weta Digital VFX Supervisor Matt Aitken to talk about AVENGERS: ENDGAME.
ACE Internship Program 2019
April 16, 2019, 06:17 AM
https://americancinemaeditors.org/interns19/
Following a rigorous selection process, ACE interns Irene Chun, a grad of Pepperdine University in Malibu, and Katelyn Wright, an alum of Full Sail University in Winter Park, Fla., recently completed a four-week ACE Internship Program that gave them their first look into the professional Hollywood post-production scene.
Behind the Title: PS260 editor Ned Borgman
April 16, 2019, 06:17 AM
https://postperspective.com/behind-the-title-ps260...
This editor’s path began early. “I was the kid who would talk during the TV show and then pay attention to the commercials,” he says. Name: Ned Borgman Company: PS260 Can you describe your company? PS260 is a post house built for ideas, Continue reading → April 15, 2019 The post Behind the Title: PS260 editor Ned Borgman appeared first on Randi Altman's postPerspective.
The Man in the High Castle VFX Breakdown
April 15, 2019, 06:29 AM
https://www.artofvfx.com/the-man-in-high-castle-se...
Come have a look at the work of Barnstorm VFX on the third season of THE MAN IN HIGH CASTLE...
How do you make VFX for a history that didn’t ex
April 15, 2019, 06:28 AM
https://beforesandafters.com/2019/04/15/how-do-you...
Amazon’s The Man in the High Castle is the story of an alternative early 1960’s in which World War II ended differently, and the United States has been divided into the Greater Nazi Reich and the Japanese Pacific States. For the show’s visual effects team, that premise created the need to help devise imagery – such as locations, vehicles and events – that appeared to be of historical accuracy.
Working as an animator at Blue Sky
April 15, 2019, 06:28 AM
https://www.animatorisland.com/working-as-an-anima...
Blue Sky Animator Lisa Allen talks animation: What’s the best way to start animating? Can you pick what shots you are working on at a studio? Find out more in this interview filled with character animation insights and advice!
ART OF THE CUT with Oscar winner, Paul Hirsch, ACE
April 14, 2019, 06:12 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes, Trains and Automobiles; Mission: Impossible; Ray; and The Mummy among many, many others in a career that goes back 50 years. We spoke about a wide range... The post ART OF THE CUT with Oscar winner, Paul Hirsch, ACE appeared first on ProVideo Coalition.
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