It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 14, 2019, 06:11 AM
https://lesterbanks.com/2019/04/make-houdini-vellu...
Nicolas Heluani shares his setup for making wiggly worms using the Houdini Vellum solver. Since it’s release, vellum is proving to be a valuable solver addition to the SideFX Houdini dynamics toolset. Used for everything
April 14, 2019, 06:11 AM
https://beforesandafters.com/2019/04/14/the-small-...
We are SO close to the final season of Game of Thrones that I thought I’d re-publish this short story from vfxblog back from season 7.
April 14, 2019, 06:11 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes, Trains and Automobiles; Mission: Impossible; Ray; and The Mummy among many, many others in a career that goes back 50 years.
April 14, 2019, 06:11 AM
http://collider.com/shazam-composer-interview-benj...
If ever a superhero movie called for an adventurous score, it’s Shazam!. The DC Comics adaptation it literally about a kid becoming a superhero, and director David F. Sandberg’s film is abundant with joy, wonder, and opportunity. To that end, when it came time to composing the film’s score, Sandberg enlisted his frequent collaborator Benjamin Wallfisch to draw from classic adventure films of the 80s, particular of the Amblin variety. The result is a score that wholly embraces the wish fulf...
April 14, 2019, 06:11 AM
https://icolorist.com/2019/04/13/ica-hawaiian-colo...
Learn color grading from the experts at the ICA Hawaiian Colorist Summit in Waikiki Beach - October 5 through 13, 2019.
April 14, 2019, 06:10 AM
http://manhattaneditworkshop.blogspot.com/2019/04/...
"Sight, Sound & Story" - Soundshow NY: "Life of Pi" Part 3. From Sight, Sound, and Story on June 8th, 2013.More information about Manhattan Edit Workshop and the classes offered visit: http://www.mewshop.com/#mewshop, #mewtube, #lifeofpi, #SoundshowNY, #SSS2013, #soundediting, #Soundmixing, #AngLee, #philstockton, #sammille, #eugenegearty, #sightsoundandstory
April 13, 2019, 05:29 AM
http://www.studiodaily.com/2019/04/nab-2019-video-...
The post NAB 2019 Video: AJA with Bryce Button appeared first on Studio Daily.
April 12, 2019, 10:47 AM
https://www.digitalproductionbuzz.com/2019/04/tran...
April 12, 2019, 10:47 AM
https://www.artofvfx.com/true-detective-season-3-j...
John Heller started his career in visual effects more than 20 years ago. He has worked in many studios like VIFX, Rhythm & Hues, Furious Effects and then he joined FuseFX in 2015. As a VFX Supervisor, he took care of the effects of projects such as RUSH HOUR, OUTSIDERS, THE LAST TYCOON and THE GOOD DOCTOR.
April 12, 2019, 10:47 AM
https://www.redsharknews.com/post/item/6286-blackm...
To be honest, even though there is a lot of new stuff in Fusion 16 Studio, a lot of it is also going to be rather familiar; at least to Resolve users. Essentially what Fusion 16 does is bundle up all the improvements made to the version of Fusion that resides within Resolve and brings them to the standalone version for the first time (hence why Fusion has jumped from v9 to v16, to bring it into alignment with the marquee product).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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