It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 7, 2011, 11:09 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
In the summer of 1982, Disney and director Steven Lisberger introduced TRON, a landmark special effects film that took us into a dangerous, groundbreaking computer world. Computer graphics were in their infancy, and nearly every frame also featured hand-drawn and rotoscoped animated effects. The film was ahead of its time, and some audiences didn’t know what to make of it.
January 7, 2011, 11:08 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
If ever a single feature film illustrated the painstaking effort editors go through to bring disparate parts together to create a greater whole, David O. Russell’s The Fighter would be that film. The movie, after all, details the story of real-life boxer "Irish" Micky Ward (Mark Wahlberg), but it also tells the story of his troubled brother, Dicky Eklund (Christian Bale), their giant family (their mother, father, and seven sisters all play key roles), and a love story between Ward and his...
January 7, 2011, 11:08 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
With the advent of the digital nonlinear editing technology, the workflow in the editorial suite dramatically changed. And it’s never stopped changing. With each new format, new camera and new digital capability, the editorial workflow undergoes an evolution. Most recently, more tasks that once went out-of-house are now being done in the edit suite. Online editing, temp sound mixes and color grading have found a home in editorial. On the positive side, these tasks stay in the hands of...
January 6, 2011, 10:50 AM
https://www.aotg.com/interview-with-glee-editor-joe-leonard-pt-2/
Part two of my interview with Joe Leonard, editor of Glee and director of How I Got Lost.
January 6, 2011, 09:33 AM
http://www.joyoffilmediting.com/?p=3330
"Gong xi, gong xi" (yay, congrats) as my Taiwan-born friend wrote me. Michael Wiese Productions, my publisher, has informed me that, after months of negotiating, Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know will be translated into Mandarin. In the next 12-18 months I will have the translation in my hot little hands.
January 4, 2011, 10:40 AM
http://lfhd.net/2011/01/03/the-edit-bay-episode-26...
The kickoff of the third season (apparently I do 13 episodes in a shot), the twenty-sixth episode of THE EDIT BAY is now available for download. This one analyzes how the cops on the TV show, THE WIRE are similar to those of us in post production.
January 4, 2011, 10:38 AM
http://www.btlnews.com/awards/editing-the-invisibl...
Films have been edited for over 100 years and the craft has evolved considerably. The best editing is now honored each year by both the American Cinema Editors with their ACE Eddy Awards and the Academy of Motion Pictures Arts and Sciences with the Oscar, but Chris Innis, ACE, Oscar winner for The Hurt Locker, noted that many of the great film editors such as Dede Allen ACE, Alfred Hitchcock’s editor George Tomasini ACE, Robert Wise, ACE, who edited the masterfully constructed Citizen Kane...
January 4, 2011, 10:37 AM
http://blogs.creativecow.net/blog/4028/editorial-b...
Should you edit your own movie? This is a question I think needs to be asked more often. Some of the great directors never edit their own films and others do. Kevin Smith and Robert Rodriguez famously edit their own material, as does James Cameron, but he usually is on a team of editors with him. Steven Spielberg never edits his own films and relies on Michael Kahn as he has for 35 years with only 2 exceptions in his feature film career. Why would you want to work with an editor?
January 3, 2011, 10:07 AM
http://www.studiodaily.com/blog/?p=5161
Studio Daily had a chance to chat with Tron Legacy editor James Haygood, ACE, and first assistant Dylan Firshein.
January 2, 2011, 02:03 PM
well its been a great year ... so much fascinating and challenging projects, so much great ppl i've met ... so thank you all... especially all the ppl behind "the art of the guillotine" and all users... HAPPY NEW YEAR ... so that way my 2010:
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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