Dede Allen talks about her technique

January 22, 2011, 11:22 AM

https://www.aotg.com/dede-allen-talks-about-her-technique/

Dede Allen talks about her technique on a panel hosted by Robert Wise.

Cutting Room Interview with Stuart Bass

January 21, 2011, 11:36 AM

https://www.aotg.com/cutting-room-interview-with-stuart-bass/

Stuart has worked on such acclaimed shows as "The Wonder Years", "Arrested Development", and "The Office". His haswon an Emmy for "Arrested Development" and been nominated 5 times.

Both Golden Globes trophies for best Picture

January 21, 2011, 10:10 AM

http://www.motionvfx.com/mblog/golden_globe_winner...

Both Golden Globes trophies for best motion picture went to movies that were edited using Apple's Final Cut Studio. The Social Network won the award for best movie drama, and The Kids Are All Right won in the best movie comedy category.

Editing Kick-Ass with Eddie Hamilton

January 19, 2011, 11:31 AM

https://www.aotg.com/editing-kick-ass-with-eddie-hamilton/

Bobbie O'Steen and Craig McKay

January 18, 2011, 11:29 AM

http://www.blogtalkradio.com/moviegeeksunited/2011...

The Movie Geeks speak with editor and author Bobbie O'Steen (Cut to the Chase, The Invisible Cut) and Oscar-nominated editor Craig McKay (The Silence of the Lambs, Philadelphia, Reds) about the art of editing, and their upcoming Q & A screening event on Thursday, January 20 in NYC.

The Art of Editing in the 21st Century: Creativity

January 18, 2011, 11:19 AM

https://www.aotg.com/the-art-of-editing-in-the-21st-century-creativity/

PART 1 - 04:49 Kristin Petrovich, CEO/Founder of HD EXPO introduces the panel Ken McGorry, Consulting Editor of POST begins the panel Ken McGorry asks the question: How does HD affect the creative process of editing? Craig McKay, ACE discusses editing & HD

Montage, Collage, Decoupage – Podcast

January 17, 2011, 09:38 AM

http://blogs.aftrs.edu.au/screenculture/?p=667

Compositing and the modern mise en scene – This is the title of a presentation i made at the recent Film History conference at the University of New South Wales. I recorded the lecture and have posted it here as a podcast. It explores the conceptual and compositional paradigm of layered CGI compositing and attempts to comprehend the unique qualities of digital compositing as an architectural process.

The Best Effect is One the Viewer Doesn’t See

January 16, 2011, 01:17 PM

http://blogs.nppa.org/editfoundry/2011/01/15/the-b...

I’m a big fan of NFL films. The stories they create are simply visual candy. I wanted to create a film effect for the story on Thunder in the spirit of NFL films. I wanted to create my own look and feel as well. Every clip in this story is affected. It’s not flying boxes. It’s not crazy wipes. It’s not picture in picture. It’s something WAY more subtle. I’m creating an entire feel for the story. What I’m doing is never distracting to the viewer which is what editing is all about.

Nominees for 61st ACE Eddie Awards

January 16, 2011, 01:09 PM

http://www.btlnews.com/awards/nominees-for-61st-ac...

The American Cinema Editors have announced their nominees for the 61st Annual ACE Eddie Awards. The awards ceremony will be held Feb. 19 at the Beverly Hilton International Ballroom. The nominees are:

Editing 'The Green Hornet'

January 15, 2011, 11:14 AM

http://www.postmagazine.com/Publications/Post-Maga...

CULVER CITY, CA — Veteran editor Michael Tronick and his editing team have taken on the task of helping director Michel Gondry bring the Green Hornet and his trusty sidekick Cato to the big screen. While there is plenty of action to go around, the film stars Seth Rogen, better known for his comedic work (Knocked Up, Superbad, The 40-year-old Virgin) than his crime fighting abilities. In addition to starring in Green Hornet, Rogen also gets writing and producing credit, so his funny hand was.