It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 13, 2011, 08:05 AM
http://jeffvlog.wordpress.com/2011/06/13/final-cut...
Let's say that some, or all, of those transitions are the same – in this case, we'll pretend we are using the Cross-Dissolve transition. Let’s say, further, that all those transitions are different lengths and are scattered throughout the sequence.
June 12, 2011, 11:21 PM
http://www.macvideo.tv/editing/interviews/?article...
6 well-known editors of the UK Final Cut Pro community, in turn, talk about about their hopes for Final Cut Pro X, their concerns, and how they are preparing for the impending change in editing technology.
June 12, 2011, 11:21 PM
http://notesonvideo.blogspot.com/2011/06/final-cut...
Mort Goldman has posted several pictures on Twitpic of color grading in Final Cut Pro X. Who know how long these will stay up... Twitpic: Mort Goldman]
June 12, 2011, 11:20 PM
http://www.macvideo.tv/editing/features/?articleid...
6 well-known editors of the UK Final Cut Pro community, in turn, talk about about their hopes for Final Cut Pro X, their concerns, and how they are preparing for the impending change in editing technology.
June 12, 2011, 11:19 PM
http://www.macvideo.tv/editing/features/?articleid...
6 well-known editors of the UK Final Cut Pro community, in turn, talk about about their hopes for Final Cut Pro X, their concerns, and how they are preparing for the impending change in editing technology.
June 12, 2011, 10:52 AM
http://blogs.creativecow.net/blog/4926/future-tale...
Continuing our Future Talent theme we've brought together three experienced post-production professionals to tell us what they look for in prospective employees and to give some advice for people at the start of their careers. Our discussion included Dan Marbrook, Head of 3D post-production at The Look; Lee Clappison, colorist at LipSync Post; and Olivier Lauchenauer, MD of Pogo Films.
June 12, 2011, 10:50 AM
http://blogs.creativecow.net/blog/4935/industry-hi...
We've asked some of Quantel's contacts throughout the industry to tell us how they made it to where they are, and what single piece of advice they would give to people starting out.
June 11, 2011, 09:44 PM
http://blogs.creativecow.net/blog/4949/20-big-ones
I must say, the Avid experience has been going very well lately. Did some "awesome" colour correcting where I was working on a night club with a daytime dining/bar...
June 11, 2011, 09:43 PM
http://splicenow.com/2011/06/11/clip-text/
With the proliferation of multi-track audio recorders, most of us are now dealing with multi-track sources when editing. In Media Composer that used to present a problem. Once you'd made a cut, it was hard to tell which track you'd used.
June 11, 2011, 09:42 PM
http://www.motionvfx.com/mblog/post,p602.html
As it seems the iOS 5 software development kit ups the maximum resolution for video exports from 720p to FullHD! As 9to5mac reports the iOS 5 media framework offers a new option - a 1920-by-1080 full HD preset. In the past it has been only possible to export videos in 720p: The change has been spotted in export preset strings of AVAsset, an abstract class of AV Foundation framework which has been around since iOS 4.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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