To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Apprentice: Type and Music

April 29, 2011, 10:58 AM

http://provideocoalition.com/index.php/cmg_blogs/s...

As we mentioned earlier, we're in the process of recording our book After Effects Apprentice as a series of training videos, where you get to look over our shoulders and hear what we're thinking as we work through each lesson. Our latest installment is the lesson on Type and Music.

The notion that I would simply scan my life into e

April 28, 2011, 08:33 PM

http://www.splicevine.com/friction-vs-non-friction...

The notion that I would simply scan my life into efficiency. No more storyboards, scripts or log sheets cluttering up the edit suite. How far would I take this idea? No post-its? No movie posters? Of course, at the rate gas prices are climbing out here in the Bay Area – I'm closer to having a paperless wallet.

Matrox performs to the MAX at Glyndebourne

April 28, 2011, 08:26 PM

http://www.digitalartsonline.co.uk/news/?newsID=32...

Glyndebourne is recognised globally as one of the great opera houses. Its productions travel worldwide, are performed live in other opera houses and screened in cinemas from New York to Tokyo. Yet it remains a very English institution.

Sony Creative Software updates Vegas Pro

April 28, 2011, 08:25 PM

http://magazine.creativecow.net/article/sony-creat...

Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you a small handful of their reports. In this entry, Debra Kaufman looks to Sony Creative Software for new updates to Vegas Pro (10.0d) and Z Depth. NLE is now a complete 3D solution.

Data Watch Unveils DataTale Mobile USB 3.0

April 28, 2011, 08:24 PM

http://www.governmentvideo.com/article/105596

Data Watch Technologies, a Taiwanese firm focused on data storage and security, increases its DataTale product line with the launch the DataTale Mobile USB 3.0 enclosure, the company says in a written statement.

Review: Singular Software Dual Eyes

April 28, 2011, 08:23 PM

http://www.eventdv.net/Articles/News/Feature/Revie...

The issue is that synchronizing high-quality audio against the scratch track from the primary or secondary camera takes time. Lots of time, especially if there are a number of short video or audio clips—again, in the case of DSLR production, with the 12-minute continuous recording limit on Canon DSLR models, all but inevitable.

FilmLight Baselight for FCP. It's a serious c

April 28, 2011, 08:18 PM

http://magazine.creativecow.net/article/filmlight-...

Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you a small handful of their reports. In this entry, Walter Biscardi, at the NAB 2011 Show, had the opportunity for a 1 on 1 demo of the full Baselight color correction system and it's little cousin, the plug-in tool for Final Cut Pro (and other hosts).

Don't Recycle, It Isn't Good For You!

April 28, 2011, 02:17 PM

http://avidassteditor.com/2011/04/28/dont-recycle-...

Over the course of a show, an Avid Assistant Editor will probably create somewhere in the neighborhood of a few hundred bins, if not more. That is a lot of bins. In fact, if you were to sit at your computer and just click New Bin in the project window...

Now that the dust has settled...

April 28, 2011, 11:22 AM

http://www.macvideo.tv/blogs/index.cfm?entryid=327...

Now that the dust has settled from NAB 2011 it is now time to wait for the products to arrive.

The Future of Editing

April 28, 2011, 11:22 AM

http://magazine.creativecow.net/article/the-future...

Tuesday was a whirlwind day. Started off early at a breakfast meeting with the top level executives of Avid and ended with the always entertaining Supermeet. Ok, maybe this year's Supermeet was a little more entertaining than most. Let's start with the morning. For the first time I can truly say that Avid is listening. I've seen the moniker on their site in the past and I kind of laughed. I mean this is...

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