It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 16, 2010, 03:52 PM
http://www.philiphodgetts.com/2010/12/assisted-edi...
We originally settles on "Smart Tools for Smart Editors and Producers" but in reality our goal is to take all the boring work out of post production, whether it’s syncing audio and video sources together, copying log notes from one bin to another or doing a series of first cuts to explore your content we want to take the boring, tedious, slow parts out so editors are free to focus on the truly creative work of making an edit emotionally compelling and visually stimulating.
December 16, 2010, 09:50 AM
http://realworldvideocompression.com/rwvc/2010/5/7...
admit it, I've had a love hate relationship with Compressor pretty much since Day One. I love the convenience of having an app tied directly to the timeline for encoding, but have always felt a little disappointed by the options and quality of what was offered for encoding that it offered. Still, I've stuck with it for certain encoding events (such as for dvd content, rough cuts, and archives at high bit rates). It's not that I believe its a bad application, just one that has languished...
December 15, 2010, 04:30 PM
http://provideocoalition.com/index.php/editingpost...
2010 has been another years of wonders and blunders, but there are some products out there that if you own an editing/motion graphics/compositing system, you simply NEED to have these products to not only create great looking work, but to make your life easier. I thought I’d break this down into a year end countdown, and remember, these products are not in any particular order, as comparing them is like comparing apples and elephants, so let’s get started!
December 15, 2010, 04:26 PM
http://www.studiodaily.com/blog/?p=5021
The "completely random Final Cut Studio stuff" blog I’m Not Bruce yesterday posted a little entry called Clients don’t understand Container Formats. It’s one of the most identifiable client-related posts I’ve read, anywhere, in some time. It also contains the best analogy I’ve come across to help explain to a client exactly why you have to know a bit more about that file deliverable they need ... i.e., you need a bit more information than a .mov file.
December 14, 2010, 03:48 PM
http://www.theterenceandphilipshow.com/2010/12/epi...
With the US Government Accounting Office dismissing RIAA and MPAA "research" as being lacking in any factual basis, is unauthorized distribution hurting or helping the industry? Thanks as always to Zach Spell for editing making us sound smart!
December 14, 2010, 02:21 PM
http://www.repaire.net/news_tests_tutos/news/les_f...
Satisfied at last in October, Avid has offered its visitors training workshops around the time of its flagship products: MediaComposer 5 and ProTools. We are very pleased to be able to make available Repairenautes exclusive! Here are the first wave of the workshop MC5 (same initials as a great rock band of the sixties;-))
December 14, 2010, 09:39 AM
http://provideocoalition.com/index.php/news/story/...
December 14, 2010, 09:36 AM
http://provideocoalition.com/index.php/news/story/...
December 13, 2010, 11:19 AM
http://provideocoalition.com/index.php/ssimmons/st...
It’s very close to the Christmas holiday but my guess is there’s still a lot of shopping to be done. Editors need gifts too so I thought I’d put together this somewhat editor / edit suite specific list of a few items that might make an editor happy if they unwrapped them from under the tree. With that caveat you won’t see any software or downloadable products, which makes this list a bit difficult since so much of what we do is on the computer.
December 13, 2010, 11:17 AM
http://www.macvideo.tv/editing/features/?articleid...
Presented by Simon Pegg, Research and Development Director, Eyeheight, Ltd. KARMAudioAU for Final Cut is an OS X native Audio Unit plug-in compatible with Final Cut, Soundtrack Pro and any application which supports Audio Units. KARMAudioAU analyzes stereo and multi-channel audio content using ITU-R BS.1770 (optionally including the EBU R128 relative gate) and then applies a global gain value to bring the audio to the the target loudness. By applying a global the target loudness is matched...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.