It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 26, 2010, 10:31 AM
http://www.larryjordan.biz/tips/tip232.html
The two windows don't display the same quality--here's why. Ever wonder why the same image in the Viewer and the Canvas doesn't look the same? The image in the Viewer is displayed in its source resolution.
October 25, 2010, 10:11 PM
http://schubincafe.com/blog/2010/10/ibc-2010-2d-3d...
There was plenty of 3D at the International Broadcasting Convention (IBC) in Amsterdam this year. At the awards ceremony, alone, the audience was frequently asked to don 3D glasses to see clips from the winners (before viewing a portion of the not-yet-released 3D movie Tron: Legacy). But the first sentence of the first comment posted on the question "What did you see around at IBC2010?" posted on the LinkedIn Digital TV Professionals Group was "Lots of 3DTV Demos that nobody...
October 25, 2010, 02:10 PM
http://www.theterenceandphilipshow.com/2010/10/epi...
This episode starts with discussion about a potential Adobe and Microsoft merger and its implications. Which leads into a discussion about 64 bit QuickTime. The primary discussion revolves around adiscussion on what Philip thinks Apple should be doing with Final Cut Pro. Thanks as always to Zach Spell for editing the show and making us sound intelligent.
October 25, 2010, 10:55 AM
http://schubincafe.com/blog/2010/10/ibc-2010-revie...
PPT: http://schubincafe.com/files/2010/10/IBC2010_Review.ppt (46 MB, 45 slides, 46:05) PLEASE VIEW IN SLIDE SHOW MODE TO ACTIVATE AUDIO
October 25, 2010, 10:53 AM
http://www.studiodaily.com/blog/?p=4558
The VES Bay Area Section of the Visual Effects Society (VES) presented a panel on "Exploring 3D Stereo Dos and Don’ts" during an industry party which drew over 400 people and was hosted by The Kerner Group at Kerner’s San Rafael Studios.
October 25, 2010, 10:12 AM
http://uniquedesigners.wordpress.com/2010/10/24/ke...
some nice lil hints to keep FCP clean & more stable
October 24, 2010, 11:22 AM
http://www.larryjordan.biz/tips/tip230.html
These two keyboard shortcuts do a blindingly fast za-za zoom. I use these two keyboard shortcuts constantly: To compress or expand the contents of any window to fill the window, press Shift+Z.
October 23, 2010, 05:10 PM
http://wilsonedit.com/blog/2010/10/23/avchd-vs-avc...
The Panasonic AF100 records to AVCHD, but with its HD-SDI output, you have the option to output 4:2:2 AVC-Intra when recording to the Panasonic’s AG-HPG20. So what's the difference between the AVCHD and Intra frames? Not a whole lot, at least according to Crews.TV. Check out their great article which shows screen shot differences (like the one above) between the two.
October 23, 2010, 08:28 AM
http://provideocoalition.com/index.php/ssimmons/st...
When you’re working with high resolution RED media in a high-definition world then one of the advantages of the original 4K image is the ability to reframe shots in post due to the different sizes of the acquired image. You can quite literally create entirely new shots without any softening of the image since the resolution is there. It can be accomplished in RED’s free software Redcine-X though I have to admit it took me a bit of time to figure out how to do it.
October 23, 2010, 08:26 AM
http://www.studiodaily.com/main/news/12647.html
For one of three spots it posted for a new Bud Light campaign — Playbook, starring Carl Weathers as a football coach and Bud enthusiast — Asylum created stereo 3D VFX depicting popcorn flying out of a car's dashboard heater vents and a fire effect coming from a grill tucked under the car's hood. The result, "Pimp Your Ride," is a signature Bud Light spot with a difference — it uses depth effects to enhance a tongue-in-cheek atmosphere. Watch the spot below, then read the Q&A with Asylum's....
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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