To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DPA, Sound Devices, and Wisycom work on Altitude

July 26, 2016, 01:30 PM

https://www.aotg.com/dpa-sound-devices-and-wisycom-work-on-altitude/

Production Sound Mixer Jesse Parker Calls Upon 'Holy Trinity of Sound' to Capture Pristine Audio and Provide Smooth Workflow for Feature Film

#dpa#microphones#wisycom#sound device#altitude
Outside the Box – Audio Hardware in a DAW Workfl

July 26, 2016, 05:24 AM

http://designingsound.org/2016/07/outside-the-box-...

Today’s sound world is dominated by the digital audio workstation, and within that domain, the plugin is king. Modern workstations and DSP offer an unmatched level of power and flexibility compared to what was available using physical audio processing hardware. However, a quick look at the burgeoning modular scene shows that there is a renewed interest in […]

Reaper Tutorial Series – An Interview with David

July 25, 2016, 05:40 AM

http://designingsound.org/2016/07/reaper-tutorial-...

Tutorials. We all watch them, we all know that at some point in time, we will be reaching for that search bar when we are trying to overcome a particular hurdle, and you can guarantee that there is an answer to be found in the darkest corners of the Internet. Although the resulting content and […]

Behringer releases new 'studio command centre'

July 25, 2016, 05:39 AM

http://www.audiomediainternational.com/new-gear/be...

Behringer’s new XENYX CONTROL2USB studio monitoring mixer is now available from retailers worldwide.

Sunday Sound Thought – Head Tracking, Immersion

July 24, 2016, 09:24 AM

http://designingsound.org/2016/07/sunday-sound-tho...

As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… I’ll be honest with you. For a long time, binaural has felt…to […]

Introduction To The Neve Genesys Black Pt 2

July 23, 2016, 01:32 PM

https://www.aotg.com/introduction-to-the-neve-genesys-black-pt-2/

In this video (part 2 of 2) James Ivey from Pro Tools Expert talks to James Townend from AMS Neve about some of the more advanced features of the Neve Genesys Black console. They talk about advanced routing to the 2 stereo mix busses, and surround sound workflows. They also cover some of the console DAW control features.

5 Ways to Use Music to Tell A Story

July 22, 2016, 12:10 PM

https://www.productionhub.com/blog/post/5-ways-to-...

In film, soundtrack is just as important as visuals for telling the story – it helps to fully convey the intended emotion of a scene, establish continuity and add momentum.

Review: Azden SGM-250 Shotgun Microphone

July 22, 2016, 12:10 PM

http://www.studiodaily.com/2016/07/review-azden-sg...

With video gear, we went from analog to digital, then standard definition to high definition. Now we are looking at going from HD to 4K/UHD and beyond.  This leaves lots of obsolete video gear piling up in the attic. But one … more » The post Review: Azden SGM-250 Shotgun Microphone appeared first on Studio Daily.

Audio Network Describes 5 Ways to Use Music to Tel

July 22, 2016, 11:10 AM

https://www.productionhub.com/blog/post/audio-netw...

In film, soundtrack is just as important as visuals for telling the story – it helps to fully convey the intended emotion of a scene, establish continuity and add momentum.

#story#music#soundtrack#audio network#leitmotifs
Using Queries in Wwise

July 22, 2016, 05:52 AM

http://designingsound.org/2016/07/using-queries-in...

The Query Editor is a powerful tool within Wwise, yet most people I talk to either aren’t aware of it or never use it. With the Query editor, you can run searches in your project to easily make multi-edits, tag items, and even troubleshoot bugs. This post aims to lift the curtain on the Query editor to […]

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