It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 6, 2014, 04:33 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“It's for you, Michael. We're doing this for you. It's for all of us.” — Oliver Lang In the sleepy community of Arlington Road, hell truly is other people. Beyond the white picket fences, past those perfect lawns an...
May 6, 2014, 04:31 AM
http://animationguildblog.blogspot.ca/2014/05/long...
The 550th episode of the Fox cartoon rises from last week's lows...
May 5, 2014, 06:40 PM
http://www.animationmagazine.net/tv/9-story-sells-...
Canada’s 9 Story Entertainment has signed licenses with the U.K.’s CSC Media for over 75 half-hours of new programming to be aired on the growing broadcaster, including season one of Peg + Cat (80 x 11), season one of Wild Kratts (26 x 22) and season three of Finding Stuff Out (13 x 30).
May 5, 2014, 04:28 AM
http://animationguildblog.blogspot.ca/2014/05/fore...
Analysts predict that Disney will report that its revenue for the quarter increased more than six percent year-over-year to $11.23 billion. Earnings of $0.95 per share are also in the consensus forecast. That would be a jump from a reported profit of $0.79 per share in the comparable period of last year.
May 5, 2014, 04:28 AM
http://animationguildblog.blogspot.ca/2014/05/inte...
Frozen is catching a third wind in foreign venues; Mr. Peabody and Sherman is pretty well at the end of its theatrical run. Rio 2 continues to run strong.
May 4, 2014, 05:42 AM
https://www.aotg.com/spiderman-animation-breakdown/
"The Amazing Spider-Man 2" Spiderman Animation Breakdown - YouTube
May 4, 2014, 05:42 AM
http://www.brainpickings.org/index.php/tag/pixar/
“Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody’s ever made before,” Neil Gaiman urged in his commencement-address-turned-manifesto-for-the-creative life. “The chief trick to making good mistakes is not to hide them — especially not from yourself,” philosopher Daniel Dennett asserted in his magnificent meditation on the dignity and art-science of making mistakes.
May 4, 2014, 05:42 AM
http://www.huffingtonpost.com/2014/05/01/pixar-mov...
The code "A113" is present in nearly every Pixar movie, from "Finding Nemo" to "Up" to "Toy Story." Beyond that, attentive viewers have also spotted the sequence in Disney films, like "The Brave Little Toaster" and "The Princess and the Frog," and animated television shows, such as "The Simpsons" and "American Dad."
May 4, 2014, 05:39 AM
http://jonnegroni.com/2013/07/11/the-pixar-theory/
Several months ago, I watched a fun-filled video on Cracked.com that introduced the idea (at least to me) that all of the Pixar movies actually exist within the same universe. Since then, I’ve obsessed over this concept, working to complete what I call “The Pixar Theory,” a working narrative that ties all of the Pixar movies into one cohesive timeline with a main theme.
May 4, 2014, 05:38 AM
http://animationguildblog.blogspot.ca/2014/05/writ...
Animation has long-since ceased being a back-water to the Main Event known as live-action. It's hugely successful on big theatre screens, successful in prime time television. So this isn't a surprise.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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