When I bring up foreseeable issues with Production

July 18, 2017, 01:00 PM

http://renderplease.com/post/163136774890

They’re like:

Editor Ethan Mitchell Joins Cut+Run

July 18, 2017, 05:37 AM

http://www.btlnews.com/community/editor-ethan-mitc...

Cut+Run has welcomed editor Ethan Mitchell to their roster. Mitchell will be based out of the NYC office and is also available to work via Cut+Run’s locations in Los Angeles, San Francisco, and Austin. The editor is reportedly known for editing beauty-infused work in a variety of genres, including visual storytelling, documentary, comedy, and brand supported […] The post Editor Ethan Mitchell Joins Cut+Run appeared first on Below the Line.

Nothing Sacred (1937)

July 18, 2017, 05:37 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“For good clean fun, there's nothing like a wake.” — Wally Cook ...

5 Editors that need more Recognition

July 18, 2017, 05:36 AM

https://www.tvovermind.com/movies/5-movie-editors-...

When you reach the end credits of a film, you’ll see an editor’s name right up there with the directors and the stars of the movie. You’ll also see an editor’s name at the beginning credits as well. But why aren’t editors more recognized? The ones who get all the attention and press are the directors, actors, producers, and writers. Yet rarely do we ever recognize or even know the name of the editors of films.

Summing up the State of NLEs in the Industry

July 17, 2017, 05:39 PM

http://www.fcp.co/final-cut-pro/articles/1983-summ...

Want to know more about the state of each of the NLEs in the industry? This forty minute panel discussion with some of the top industry commentators is well worth a watch. 

When I get a really small graphic to import into a

July 17, 2017, 05:39 PM

http://renderplease.com/post/163097619765

Color Fonts Coming to Illustrator CC

July 17, 2017, 09:17 AM

http://blogs.adobe.com/creativecloud/color-fonts-c...

We’ve heard from our users that there is a strong desire to add color font* support to Illustrator.  Well, we’re excited to let you know that we’re currently working on making it available in Illustrator! Technically known as OpenType-SVG fonts, this new feature means you will be able to design with whole new sets of fonts in Illustrator. Adobe’s CoreType team led the effort to develop and standardize the technology where fonts can have now have unique colors, patterns, and gradient...

Paritarias de Largometraje 2017/2018 – SICA APMA

July 16, 2017, 12:31 PM

https://edaeditores.org/paritarias-de-largometraje...

Compartimos el comunicado del Sindicato de la Industria Cinematográfica Argentina, Animación, Publicidad y Medios Audiovisuales (SICA-APMA) con motivo del acuerdo paritario para salarios mínimos de largometraje. Estos mínimos actualizados para montajistas y asistentes de montaje pueden ser consultados en la sección Legislación de este sitio. Finalmente quedó acordada la recomposición salarial en un 30% para […]

Se realizó la charla “El montaje de cine en tre

July 16, 2017, 12:30 PM

https://edaeditores.org/se-realizo-la-charla-el-mo...

En el marco de FICSUR, Festival Internacional de Cine de los Países del Sur del Mundo, EDA organizó la charla “Entre Cortes. El montaje de cine en tres generaciones“. En la charla participaron Seba Polze (EDA), Germán Cantore (SAE) y Miguel Pérez (EDA/SAE), con la moderación de Verónica de Cata (EDA). El público pudo conocer más […]

William HOY, ACE, edits "War for the Plane of the

July 15, 2017, 02:53 PM

https://www.provideocoalition.com/AOTC-War-HOY

William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then he’s edited a string of box office and critically acclaimed hit films: Star Trek VI: The Undiscovered Country, Patriot Games, Se7en, The Man in the Iron Mask, The Bone Collector, Dawn of the Dead, Fantastic Four, 300, Watchmen, and Dawn of the Planet of the Apes. Art of the Cut caught up with William recently to discuss his work on War f...