To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Invisible Thelma Schoonmaker

July 12, 2017, 12:29 PM

https://www.aotg.com/the-invisible-thelma-schoonmaker/

Thelma Schoonmaker has been Martin Scorsese’s editor for four decades. Together they’ve made twenty feature films. Yet, she has always stayed modest and made herself invisible, foregrounding her co-workers. She deserves more. Let's look at two of the greatest examples of her editing, both from the same excellent film: Raging Bull (1980).

Easily Apply LUTs in Final Cut Pro X

July 12, 2017, 09:41 AM

https://fxfactory.com/blog/effects-2/easily-apply-...

LUTPro lets you apply LUT files to your video inside of Final Cut Pro X. You can use LUTPro to quickly normalize video shot in a “log” format, or you can import your own LUT collection for use in FCPX. Normalize “log” formats like RED IPP2, Canon C-Log, Blackmagic, and others Import your own LUT collection […]

Hyper Active

July 12, 2017, 06:26 AM

http://www.screeneditors.com.au/hyper-active/

Hyperactive Broadcast is the leading provider of EVS based integrated workflows for Live Broadcast and Feature Film Post Production. Combining the very latest media management and integrated storage solutions with Avid Interplay and EVS IP Directors, we have the highest level of skills and understanding and are trusted by the best names in the industry […]

Sam Bogoch: axle Video by Patrick Southern

July 12, 2017, 06:26 AM

https://www.provideocoalition.com/sam-bogoch-axle-...

We’ve all been there. You wrap a project, put a drive on the shelf, and promptly buy a new drive for the next project. Several months later, the client asks for a new version of the video…but you’ve forgotten which drive the project was on. Sam Bogoch and axle Video have made it their business to help you find your media faster.

Hollywood CA – LACPUG meeting:

July 11, 2017, 06:04 PM

http://feedproxy.google.com/~r/industryhappenings/...

Next lacpug Meet is Wednesday, July 26, 2017 beginning at 6:45PM – till we drop at the Gallery Theatre in Hollywood Ca. What it takes to be an Assistant Editor on Feature Films Join us as we welcome editor Lawrence Jordan and assistant editor Richard Sanchez as they debut their online course for people who want to learn what it takes to be an assistant editor on feature films. “Unlike anything out there, the online course is a deep drill down into the specifics of what’s requir...

Managing Media From Final Cut Pro X Projects With

July 11, 2017, 06:04 PM

http://www.fcp.co/final-cut-pro/news/1982-managing...

Staying within FCPX, you can only 'gather up and copy media' which isn't ideal. At the recent Faster Together stage at NAB, Chris Steele from Marquis Broadcast demonstrated Worx4 X that copies and trims media saving a lot of disk space.

Digital Production Buzz – July 13, 2017

July 11, 2017, 12:21 PM

http://www.digitalproductionbuzz.com/2017/07/digit...

Tonight, The Buzz concentrates on digital asset management. Why is this so difficult? What affordable products are out there? What do you need to know to make the right choice? Listen to leaders in the industry explain what you need to know now. … The post Digital Production Buzz – July 13, 2017 appeared first on Digital Production BuZZ.

Editor Michael Berenbaum, ACE on Introducing the C

July 11, 2017, 12:21 PM

https://www.aotg.com/editor-michael-berenbaum-ace-on-introducing-the-c/

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive.

Currently

July 11, 2017, 12:20 PM

http://renderplease.com/post/162866477380

In my edit bay:As soon as I step outside:

How Editor Paul Machliss Cut Baby Driver in Real T

July 11, 2017, 09:05 AM

https://www.premiumbeat.com/blog/editing-and-sound...

Dive into the real time production and post-production workflow of one of this tightly synced film.

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