To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Fusion Studio Used for VFX on Legend of Fuyao
October 24, 2018, 07:57 AM
https://www.aotg.com/fusion-studio-used-for-vfx-on-legend-of-fuyao/
Blackmagic Design today announced that Fusion Studio was used by CG/VFX designer Alex Koryshev with Shenzhen based Plan B VFX to produce VFX shots for hit Chinese TV series “Legend of Fuyao.”
#blackmagic design#fusion studioDisney-Pixar President Ed Catmull Retiring
October 24, 2018, 05:14 AM
http://www.animationmagazine.net/people/disney-pix...
Pixar co-founder and animation pioneer Ed Catmull is retiring from his post as President of Walt Disney and Pixar Animation Studios after five decades of breaking new ground in the industry with his backing of hit films including Toy Story, Frozen and recently Incredibles 2. Catmull, who is 73, will step down from his dual role at the end of the year, per an announcement from Disney, but will continue as an adviser to the studios through to July 2019.
Trying to yell appropriately at work
October 23, 2018, 09:49 AM
http://renderplease.tumblr.com/post/179351523500
I, Tonya - SCENE ANALYSIS
October 23, 2018, 09:49 AM
https://www.youtube.com/watch?v=g6KKMRzNj5w
Are there hidden cuts in the ice skating routing and if so, why? Watch the full scene without our commentary: https://youtu.be/YTpeiTQoWIA Check out the entire audio podcast here: https://itunes.apple.com/us/podcast/ep-10-i-tonya-2017-this-guy-edits-podcast/id1428277484?i=1000422315586&mt=2 Thank you again to podcast listener Dennis (@dennisleytonb) who took time to put this bonus video together. I, Tonya is a 2017 American biographical film directed by Craig Gillespie and writ...
Behind the Brutal Sound of Halloween
October 23, 2018, 09:48 AM
https://www.asoundeffect.com/halloween-movie-sound...
The original Halloween is one of my favorite horror movies, and the 2018 version of Halloween (a direct sequel to the original movie) just premiered to great reviews, and is number one at the US box office right now.
"Solo" – A Fusion of Creativity and Technology
October 23, 2018, 09:48 AM
http://cinefex.com/blog/solo-a-fusion-of-creativit...
As senior vice president, executive creative director and head of Industrial Light & Magic, Rob Bredow gets involved with every project that passes through ILM’s doors. During his keynote presentation at VIEW Conference 2018 today, he shared his experiences as visual effects supervisor and co-producer of Solo: A Star Wars Story. Cinefex sat down with Rob in the Turin sunshine after his presentation to talk more about his adventure in a galaxy far, far away.
Editor Joe Walker, ACE, on Having an Eye for a Goo
October 23, 2018, 04:36 AM
https://www.aotg.com/editor-joe-walker-ace-on-having-an-eye-for-a-goo/
Joe Walker has worked as an editor on Arrival, Blade Runner 2049, 12 Years a Slave, and talks about how the editing role is inspired by music, technology, and the history of film.
Color Grading Tips: The Ins and Outs of Correcting
October 23, 2018, 04:35 AM
https://www.premiumbeat.com/blog/color-correcting-...
A pink sky has become a predominant feature in many music videos. Is it a symbol of teenage freedom, late evening adventures, innocence of youth? I’m sure there are experts out there who could spend hours decoding the meaning and popularity behind the rise of pink skies in rap and alternative music videos. But perhaps it just comes down to Instagram influencers. Who knows?
How to Create Seamless and Looping Noise in Maya
October 22, 2018, 08:52 AM
https://lesterbanks.com/2018/10/seamless-looping-n...
Patrick Woo Shows How Easy it is to Create Seamless Looping Noise in Maya With a Few Nodes. No one can overstate how important noise is with computer graphics and 3D. From animation to shading,
Making Retro Video Game Sounds: Introduction to Tr
October 22, 2018, 08:52 AM
http://designingsound.org/2018/10/22/making-retro-...
This is a guest post by Leonard J. Paul, a composer, sound designer and educator who first got his start working on Sega Genesis back in the ’90s. You can reach him at the School of Video Game Audio (SoVGA.com) or on Twitter @VideoGameAudio at any time. In this four-part article series I’ll be going […]
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