To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

UWE Chooses EditShare Creative Workflow

October 25, 2018, 01:49 PM

https://www.editshare.com/news/pr-uwe

EditShare® today announced that The University of the of West England (UWE Bristol) has upgraded the existing infrastructure of its new Arts, Creative Industries and Education media programs facility to a modern, end-to-end, file-based workflow powered by EditShare.

#post production#shared storage#media asset management#creative workflows
Larry Jordan: New Features in Adobe Premiere 2019

October 25, 2018, 12:26 PM

https://doddlenews.com/larry-jordan-new-features-i...

Last week, Adobe released a major update to Adobe Premiere Pro CC, along with the rest of its Creative Cloud applications.

VFX Legion Expands it Team of Senior Artists

October 25, 2018, 11:39 AM

https://www.aotg.com/vfx-legion-expands-it-team-of-senior-artists/

VFX Legion recently signed Lead Matte Painter Marc Adamson, Head of Simulation and Dynamics Eric Ebling, and Lead Lighter Bryan Shepperd to its team. The artists bring a mix of skill-sets to the full-service Burbank-based visual effects studio, which specializes in augmenting footage for feature films and TV shows with photorealistic environments and CG imagery that would be too expensive and time-consuming to shoot live.

#compositing#lighting#dynamics#vfx legion#matte painting#vfx for tv#vfx artists#vfx for film
Wayne Bell: The man behind the sounds of The Texas

October 25, 2018, 09:02 AM

http://designingsound.org/2018/10/25/wayne-bell-th...

It was the summer of 1973 and Wayne Bell was part of a crew of young filmmakers making what would become the cult classic, The Texas Chain Saw Massacre. Forty-five years later, Wayne is still in Texas, doing what he loves and making sounds for films. Recently, I had the opportunity to sit down with […]

Adobe MAX 2018: Creative Cloud updates and more

October 25, 2018, 09:02 AM

https://postperspective.com/adobe-max-2018-creativ...

By Mike McCarthy Adobe MAX 2018 took place last week in Los Angeles.  The huge conference takes over the LA convention center and overflows into the surrounding venues.  This was the first year I have attended the event.  It started off Monday morning with a two and a half hour keynote outlining the developments and features being released in the newest updates to Adobe’s Creative Cloud.  Continue reading → October 25, 2018 The post Adobe MAX 2018: Creative Cloud updates and more ...

Dadi Einarsson Makes Waves at VIEW Conference

October 25, 2018, 09:00 AM

http://cinefex.com/blog/dadi-einarsson-makes-waves...

After building his career working at The Mill and Framestore, Dadi Einarsson co-founded Reykjavik-based RVX in 2008. At VIEW Conference 2018, Dadi presented his work as visual effects supervisor for STX on Baltasar Kormákur’s ocean-going survival film Adrift. Cinefex met up with Dadi after the presentation to talk about what it took to create a shot that balances intimate character moments with the awesome power of a gigantic ocean wave.

Carlos Vives' Music Video Used DaVinci Resolve 15

October 25, 2018, 08:05 AM

https://www.aotg.com/carlos-vives-music-video-used-davinci-resolve-15/

Blackmagic Design today announced that DaVinci Resolve 15 Studio, along with the DaVinci Resolve Mini Panel and DaVinci Resolve Advanced Panel, were used for color grading and editing on the new music video for “Mañana,” the latest single by Latin American Grammy winning singer/songwriter Carlos Vives.

#blackmagic design#davinci resolve#davinci resolve advanced panel
Editor Kevin Tent ACE Discusses the Power of Monta

October 25, 2018, 04:26 AM

https://www.aotg.com/editor-kevin-tent-ace-discusses-the-power-of-monta/

Kevin Tent, ACE began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films. He is known for his long-standing partnership with filmmaker Alexander Payne...

VFX Artist Reveals the True Scale of the Universe

October 25, 2018, 04:26 AM

http://www.studiodaily.com/2018/10/vfx-artist-reve...

Production studio Corridor (the folks who brought you “Superman with a GoPro” and other viral shorts) tours the universe by setting the size of Planet Earth to equal that of a tennis ball (about 1:190,000,000), then graphically depicting other planets and stars to scale in order to convey how massive they really are. The post VFX Artist Reveals the True Scale of the Universe appeared first on Studio Daily.

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