To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Getting Network notes back like
October 9, 2018, 09:15 AM
http://renderplease.tumblr.com/post/178888756760
VFX: it’s a billion pound industry in the UK alo
October 9, 2018, 09:15 AM
https://www.redsharknews.com/business/item/5859-vf...
First off, this is a story about interconnectedness. Just because this story is about the UK market doesn’t mean that its underlying message doesn’t apply to other countries involved heavily in the production sector around the world. And that message is simple: tax breaks work.
Voice User Interfaces in Film and Reality
October 9, 2018, 09:15 AM
http://designingsound.org/2018/10/09/voice-user-in...
When thinking of voice user interfaces as pure technology, it may not sound appealing to some of us who are in this business for the art. Even when thinking of the technology behind the art, it is comprehensive why some people would shy away from it. What’s compelling about VUIs, however, is not necessarily the […]
The making of The Old Man and The Gun
October 9, 2018, 02:57 AM
https://jonnyelwyn.co.uk/film-and-video-editing/th...
- Insights on editing a feature film in Premiere Pro - Tackling character driven narratives and long dialogue scenes - Custom keyboards for a smoother edit experience - Advanced Premiere Pro workflows - In person assistant editor training for feature and TV
#adobe premiere pro#feature film editing#interview with editors#the old man and the gunCaroline Garrett named head of VFX at Cinesite
October 8, 2018, 12:17 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Cinesite (www.cinesite.com) has named Caroline Garrett head of its London VFX studio. The accomplished production executive takes the helm to usher in a new phase of leadership and oversee day-to-day operations at the independent visual effects facility.
Using someone else’s computer like
October 8, 2018, 12:16 PM
http://renderplease.tumblr.com/post/178856942300
6 things we hope to see at Adobe MAX 2018
October 8, 2018, 12:16 PM
https://www.creativebloq.com/news/6-things-we-hope...
Just a week to go until Adobe's annual creative conference – here are our Adobe MAX 2018 predictions.
How to Render Paint Effects With RenderMan
October 5, 2018, 12:07 PM
https://lesterbanks.com/2018/10/render-paint-effec...
Earlyworm CG Puts Renderman Together With Paint Effects Using a Simple Free Script. Maya has no shortage of methods to create things like grass. You have your choice of xGen, MASH, painting instances, and even
When someone asks how my show is going
October 5, 2018, 12:07 PM
http://renderplease.tumblr.com/post/178761784610
Weber Looks Back on His Collaborations With Malick
October 5, 2018, 10:04 AM
https://variety.com/2018/artisans/production/crite...
Editor Billy Weber has been one of reclusive filmmaker Terrence Malick’s preferred craftspeople. Their relationship has spanned 1973’s “Badlands,” 1978’s “Days of Heaven,” 1998’s “The Thin Red Line” and 2011’s “The Tree of Life.”
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