To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

EditShare Releases a Brand New Flow at IBC2018

September 13, 2018, 07:23 AM

https://www.editshare.com/news/pr-flow-ibc2018

Re-engineered media asset management platform supports third-party storage environments; attractive subscription-based model makes MAM affordable for all productions

#editshare#ibc#mam#media asset management#editshare flow#ibc2018
Symphony Color Correction - An Introduction

September 13, 2018, 05:41 AM

https://www.youtube.com/watch?v=rWyWRTXkX1k

The first video in a six-part series featuring colorist and finishing editor, Mike Nuget. Download your 30-day trial of Media Composer | Ultimate: https://connect.avid.com/media-composer-trial Subscribe to Media Composer | Ultimate: https://shop.avid.com/media-composer-ultimate

Baselight Editions for Avid - An Introduction

September 13, 2018, 05:41 AM

https://www.youtube.com/watch?v=fLNtiDVEZNo

The third video in a six part series featuring colorist and finishing editor, Mike Nuget. Download your 30-day trial of Media Composer | Ultimate: https://connect.avid.com/media-composer-trial Subscribe to Media Composer | Ultimate: https://shop.avid.com/media-composer-ultimate Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linked...

Is Sound Design the Next Frontier for Branding?

September 13, 2018, 05:40 AM

http://designingsound.org/2018/09/13/is-sound-desi...

  Joel Beckerman, Man Made Music (Photo credit: Mickey Alexander)PHOTO CREDIT: MAN MADE MUSIC   Intriguing article on branding and “audio pneumonic” construction. Interviews Joel Beckerman, composer and sound designer, on the importance and emergence of audio branding, as compared to visual branding. Beckerman expresses that there is no “lying in sound” and the importance […]

Moving a 34 Angle Multicam Music Show From Premier

September 13, 2018, 05:40 AM

http://www.fcp.co/final-cut-pro/articles/2110-movi...

When given the task of cutting a 34 angle multicam music show in Premiere Pro, Shahin Shokoui accepted the job but decided to move the project over to Final Cut Pro X. After a successful edit, he then converted the final cuts back. 

ProSoundEffects: Jacob Ribicoff and the Sound of H

September 13, 2018, 05:40 AM

http://designingsound.org/2018/09/12/prosoundeffec...

Image from ProSoundEffects.org Jacob Ribicoff sat down with Vinny Alfano of ProSoundEffects to talk about working on the HBO film Fahrenheit 451. In the interview, Ribicoff discussed his relationship with Ken Burns and his workflow for crafting the sound for the film. The full interview can be found here.

Adobe Reveals Creative Cloud Feature Updates, Incl

September 13, 2018, 05:39 AM

http://www.studiodaily.com/2018/09/adobe-reveals-c...

With IBC 2018 looming, Adobe has released details on the new features that will be added to its Creative Cloud software suite by year’s end, including new animation options in After Effects and Character Animator, improved noise-reduction and reverb-removal tools in Adobe Audition, and expansions of motion-graphics and color-grading options in Premiere Pro. Adobe also […] The post Adobe Reveals Creative Cloud Feature Updates, Including AI-Driven Animation Tools and Refined Color-Grading...

Crazy Rich Asians’ Editor tackled the Mahjong Sc

September 13, 2018, 05:39 AM

https://www.cinemablend.com/news/2457460/how-crazy...

With a closer look at Crazy Rich Asians, there is quite the clever shift between the light and funny romantic comedy that draws us in and the dramatic second act we are dazzled with as the credits roll. It's quite the subversive take on an ensemble comedy that critics and audiences alike have been celebrating with box office highs we forgot a movie of this genre could achieve.

Solo's Old School Hyperspace Jump

September 13, 2018, 05:39 AM

https://vfxblog.com/2018/09/12/solos-old-school-hy...

A new clip promoting Solo’s Blu-ray release is out, and it showcases the old-school techniques used to realise the hyperspace sequences on the Millennium Falcon. It includes a description of the technique by ILM’s Rob Bredow. Check out the clip below.

Cinefex Vault #15 - Harry Potter 3

September 12, 2018, 12:25 PM

http://cinefex.com/blog/harry_potter_3/

Here’s an episode that we could not quite fit into our Cinefex 99 story on Harry Potter and the Prisoner of Azkaban, the third film in J.K. Rowling’s boy wizard saga, directed with great panache by Alfonso Cuarón. This amusing sequence – where Industrial Light & Magic visual effects supervisors Roger Guyett and Bill George shared duties with Potter series visual effects supervisor Tim Burke, and Nick Dudman’s creature effects team – deals with a mythological creature that allows stude...

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