To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Editors coming to me like
August 31, 2018, 12:15 PM
http://renderplease.tumblr.com/post/177590144730
How 2D Tools Let You Go 3D
August 30, 2018, 04:13 PM
https://www.cartoonbrew.com/tools/how-2d-tools-let...
The debate about 2d versus 3d animation is becoming increasingly irrelevant as more artists use an integrated 2d/3d approach thanks to the new generation of powerful animation tools.
How to Use SOuP Solver and Group Nodes for Motion
August 30, 2018, 12:14 PM
https://lesterbanks.com/2018/08/soup-solver-group-...
Jeremy Raven Shows How to Create Complex Motion Graphics Effects With SOuP Solver Nodes. Maya’s motion graphics toolkit MASH opened up whole new ways to work and create the type of systems so often seen
Cinefex Spotlight
August 30, 2018, 12:14 PM
http://fxrant.blogspot.com/2018/08/cinefex-spotlig...
I was profiled by my favorite visual effects magazine Cinefex for their Spotlight series. I'm really proud of the things that I said.
Podcast: I Was On Reconcilable Differences
August 30, 2018, 12:14 PM
http://fxrant.blogspot.com/2018/08/podcast-i-was-o...
I joined my friends Merlin Mann and John Siracusa for a special episode of their podcast, Reconcilable Differences. It's a very special "Members Only" episode, available to Relay FM subscribers.
Creating Fluidity with Music Editing: An Interview
August 30, 2018, 09:41 AM
http://designingsound.org/2018/08/30/creating-flui...
Jim Harrison is an award-winning music editor, whose credits comprise The Greatest Showman, The Jungle Book, Houdini, Ice Age: Collision Course, Harry Potter and the Chamber of Secrets, Purple Rain and many more. In this interview Jim talks to us about the music editing process between pop and classical music for The Greatest Showman, as […]
How to Apply Zbrush Sculpted Blend Shapes to a May
August 30, 2018, 09:41 AM
https://lesterbanks.com/2018/08/zbrush-sculpted-bl...
Damon Lavenski Walks Through Steps to Work With Sculpted Blend Shapes from Zbrush to Maya. A lot of effort has pushed Maya’s Blend Shape workflow and sculpting tools towards new heights for character artists and
*Piazzolla: los años del tiburón*, por Alejandro
August 30, 2018, 06:32 AM
http://saeditores.org/Novedades/Piazzolla-los-anos...
Una síntesis personal de la edición por sus artífices.
Is Netflix's New Loudness Delivery Spec Genius?
August 30, 2018, 06:32 AM
https://www.pro-tools-expert.com/home-page/2018/8/...
It seemed I started getting emails from people almost as soon as the virtual ink was dry on the latest delivery spec to come from Netflix. People were concerned about the language and the impression that Netflix had turned the clock back 10 years by using Dolby’s Dialog Intelligence software. In this article, we investigate to see if Netflix’s new delivery spec is a retrograde move, a pragmatic response to the changing climate, or a stroke of genius.
Review: Mobile Filmmaking with Filmic Pro, Gnarbox
August 29, 2018, 04:37 PM
https://postperspective.com/review-mobile-filmmaki...
By Brady Betzel There is a lot of what’s become known as mobile filmmaking being done with cell phones, such as the iPhone, Samsung Galaxy and even the Google Pixel. For this review, I will cover two apps and one hybrid hard drive/mobile media ingest station built specifically for this type of mobile production. Continue reading → August 29, 2018 The post Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion appeared first on Randi Altman's postPerspective.
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