It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 4, 2018, 04:56 AM
https://resurface.audio/netflix-post-partner-progr...
If you are in post production it’s likely you will have worked – directly or indirectly – for Netflix already. Either as your client, or your client’s client.
September 4, 2018, 04:56 AM
http://www.animationmagazine.net/archives/282-augu...
Animation Magazine 282 August 2018 Is OUT!
September 3, 2018, 09:44 AM
http://designingsound.org/2018/09/03/how-would-you...
…this image? Often times, that’s what our job is. We’re given an image or an emotion to describe through the use of sound, or sometimes it’s a little easier. We’re tasked with creating something that doesn’t exist in our every daily lives, but has enough visual elements we can relate to that we understand what […]
September 3, 2018, 09:43 AM
http://www.artofvfx.com/avengers-infinity-war-weta...
Nice video by BBC Click featuring VFX Supervisor Matt Aitken talking about the work of Weta Digital for AVENGERS – INFINITY WAR...
September 3, 2018, 05:36 AM
http://www.fcp.co/final-cut-pro/news/2106-version-...
A new free app from Jasper Siegers allows editors to store Final Cut Pro X Libraries in the cloud with version control to facilitate better collaborative workflows.
September 3, 2018, 05:36 AM
http://saeditores.org/Novedades/Editar-con-el-oido...
Una síntesis personal de la edición por sus artífices.
September 2, 2018, 06:55 AM
https://www.screeneditors.com.au/enews-87-august-2...
enews 87 - August 2018 Rates & Conditions Edition
September 1, 2018, 03:17 PM
http://spungella.blogspot.com/2018/09/animation-q-...
I got a great batch of questions covering all kinds of animation related topics (and chocolate) and here's the first part of my answers.
September 1, 2018, 07:14 AM
https://www.aotg.com/what-it-takes-to-edit-documentaries/
The editor of the Oscar nominated documentary "The Square" takes us through his editing process.
September 1, 2018, 07:14 AM
https://www.provideocoalition.com/paintx-a-paint-u...
CoreMelt introduced recently Paint X, the first paint utility with advanced planar tracking integration for FCPX artists. The software has a special price until September 4.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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