To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mario Bros: the other huge VFX film from 1993

July 19, 2018, 06:05 AM

https://vfxblog.com/supermariobros/

You might think that in terms of visual effects, 1993 would be a year solely remembered for the groundbreaking CGI and other effects work in Jurassic Park. But, as amazing as that work was, another film that year also made waves in digital visual effects: the unassuming Super Mario Bros., directed by Rocky Morton and Annabel Jankel and starring Bob Hoskins (Mario), John Leguizamo (Luigi), Dennis Hopper (King Koopa) and Samantha Mathis (Princess Daisy).

7 Old School Filmmaking Techniques That Still Defi

July 19, 2018, 06:05 AM

http://noamkroll.com/7-old-school-filmmaking-techn...

Cinematic language has evolved tremendously since the early days of film, but many of today’s most relevant filmmaking techniques originated in classic films…

Why You Should Script our Documentary

July 19, 2018, 06:05 AM

https://www.premiumbeat.com/blog/7-reasons-script-...

Documentaries are supposed to be the cinematic search for truth. The genre’s cinéma vérité roots (which literally translates to “cinematic truth”) call for strict impartial or narrative manipulation. However, as any famous documentarian will quickly tell you, all that may be well and good, but it’s not how documentaries get made.

Review: Maxon Cinema 4D R 19 — an editor’s per

July 18, 2018, 12:02 PM

https://postperspective.com/review-maxon-cinema-4d...

By Brady Betzel It’s time for my yearly review of Maxon’s Cinema 4D. Currently in Release 19, Cinema 4D comes with a good amount of under-the-hood updates. I am an editor, first and foremost, so while I dabble in Cinema 4D, I am not an expert. There are a few things in the latest release, Continue reading → July 18, 2018 The post Review: Maxon Cinema 4D R 19 — an editor’s perspective appeared first on Randi Altman's postPerspective.

VFX Supervisor Hubert Maston Joins Framestore Mont

July 18, 2018, 12:02 PM

https://www.awn.com/news/vfx-supervisor-hubert-mas...

Framestore is excited to welcome Hubert Maston to the team as VFX supervisor, working on the studio’s upcoming feature films. With over 15 years of production experience, both as VFX supervisor and head of CG, Hubert has successfully led work on multiple award-winning projects. A natural leader, he brings a strong eye for detail to his work, relishing both technological and artistic challenges.

MCU Countdown #19: Avengers: Infinity War

July 18, 2018, 12:01 PM

http://www.rotoscopers.com/2018/07/18/mcu-countdow...

This week we review the record-breaking Avengers: Infinity War, which unites the MCU's Avengers and Guardians of the Galaxy for the first time to stop Thanos from obtaining all the Infinity Stones.

Modeling Cam Updates for Better Projection Workflo

July 18, 2018, 09:15 AM

https://lesterbanks.com/2018/07/modeling-cam-c4d-p...

AJ Haines Updates Modeling Cam for Cinema 4D. An all-new version of Cinema 4D’s Modeling Cam has hit the streets, and amazingly, it is still free. Modeling Cam lets you speed up your projection modeling

Out of Character: The Sound of Strong

July 18, 2018, 07:00 AM

http://www.studiodaily.com/2018/07/character-sound...

Go into the soundbooth with voice actor Tara Strong, whose performances help animate the characters in The Powerpuff Girls, Rugrats and The Fairly OddParents, in this behind-the-scenes short from Great Big Story. The post Out of Character: The Sound of Strong appeared first on Studio Daily.

How Martin Scorsese Perfected the Movie Soundtrack

July 18, 2018, 06:59 AM

https://filmschoolrejects.com/how-martin-scorsese-...

While visuals remain the most dominant component of a movie, the best films deeply integrate aural techniques — dialogue, sound effects, scores, popular songs — to enrich a viewing experience. As a meticulously curated pool of well-known or obscure cuts, a film’s soundtrack can especially exert a potent effect on audiences: they can enhance a narrative, deepen our identification with characters, and plunge us further into an onscreen world. Our very own Christopher Campbell observes, “Gr...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.