To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

La La Land - 28 Weeks of Post Audio Redux

July 16, 2018, 06:07 AM

https://www.provideocoalition.com/la_la_land

La La Land, this year’s big Oscar nominee, is the first feature film to have a female sound editing team nominated. Millie Iatrou and Ai-Ling Lee, were co-supervising sound editors on the film. Ai-Ling was also tasked with sound design and shared mixing duties with legendary re-recording mixer Andy Nelson (2 Oscar wins among his 21 nominations). I spoke with Millie and Ai-Ling about their work on the film.

Editor Maya Mumma, ACE on Building Tension in the

July 15, 2018, 11:49 AM

http://manhattaneditworkshop.blogspot.com/2018/07/...

Editor Maya Mumma, ACE on building tension in "O.J.: Made in America." Recorded at "Sight, Sound & Story" on June 10, 2017.Maya Mumma, ACE, began her career in the edit room of the Academy Award nominated documentary "Restrepo." The film won the Grand Jury Prize at the 2010 Sundance Film Festival and received a News and Documentary Emmy for Outstanding Editing. Most recently, she was an editor on the Academy Award winning 7.5 hour documentary "O.J.: Made in America" for which she was...

Tonebenders 076 - Skip Lievsay

July 14, 2018, 07:04 AM

https://www.aotg.com/tonebenders-076-skip-lievsay/

In this episode Timothy sits down with Skip Lievsay in his personal studio at Warner Brothers New York. Skip waxes eloquently about finding a film's "sound", the differences between working in LA and NYC, and a career spent working on some of the best films of the last 30 years.

How ILM Made Fallen Kingdom's Indoraptor

July 14, 2018, 07:03 AM

https://vfxblog.com/2018/07/13/finding-indo-how-il...

The genetically engineered Indoraptor is a new kind of dinosaur introduced in Jurassic World: Fallen Kingdom. For the film’s effects teams, it was the opportunity to explore different creature behaviours, motion and emotion, particularly because ‘Indo’ was, as a result of his creation, somewhat of a neurotic dinosaur.

Sound Lounge Promotes Pete Crimi to Mixer

July 13, 2018, 01:59 PM

http://www.broadcastbeat.com/sound-lounge-promotes...

NEW YORK— Sound Lounge, New York’s leading independent sound facility announces that it has elevated Pete Crimi to mixer. Crimi has been an assistant at the facility for six years honing his craft. Since being promoted, he has worked on ad campaigns for numerous leading brands, including Nike, Comcast, and Dominos. Additionally, he mixed short ...

Chuck Jones Publicity Stills

July 13, 2018, 01:58 PM

http://directedbychuckjones.tumblr.com/post/175856...

Publicity “stills” from Warner Bros. Animation, 10″ x 8″, lithography, circa 1940-1945.

Editor Kevin Tent, ACE on a Recurring Music Cue in

July 13, 2018, 09:09 AM

https://www.aotg.com/editor-kevin-tent-ace-on-a-recurring-music-cue-in/

Editor Kevin Tent, ACE on a recurring music cue in "Election." From the "Inside the Cutting Room with Bobbie O’Steen" panel at Sight, Sound & Story on June 14th, 2018.

Goldcrest delivers Jurassic World with Resolve

July 13, 2018, 08:20 AM

https://www.aotg.com/goldcrest-delivers-jurassic-world-with-resolve/

Blackmagic Design today announced that Goldcrest Post completed the final DI for Universal Pictures and Amblin Entertainment’s global blockbuster “Jurassic World: Fallen Kingdom” using DaVinci Resolve Studio, together with the DaVinci Resolve Advanced Panel.

#blackmagic design#color grading#davinci resolve studio
2018 ASE ACCREDITATION GUIDELINES

July 13, 2018, 06:43 AM

https://www.screeneditors.com.au/2018-ase-accredit...

Applications are now open for ASE ACCREDITATION 2018 ACCREDITATION GUIDELINES Accreditation is the highest honour the Guild can bestow on an Editor and is available to any Full Member whose body of work exhibits consistent and outstanding excellence as judged by the Accreditation Subcommittee. Full Members of the Australian Screen Editors Guild are invited to apply. […]

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