It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 18, 2015, 05:54 AM
http://designingsound.org/2015/08/emotional-beings...
Guest Post by Beau A. Jimenez Introduction While […]
August 17, 2015, 04:13 PM
http://news.doddleme.com/equipment/production-101-...
Good sound matters. It beats good picture when shooting a dialogue heavy scene or film. Unless you have access to post dubbing stages for ADR (automated dialogue replacement) – you will be stuck with what you shot LIVE on the floor. In order to up your content game, it’s essential you pay attention to how you record your sound on set.
August 17, 2015, 11:46 AM
https://www.aotg.com/sound-devices-supports-show-me-a-hero/
When production sound mixer Frank Stettner began wrapping up his work on the final season of HBO's popular series Boardwalk Empire, he decided it was time to buy a new digital audio recorder.
August 17, 2015, 04:54 AM
https://www.aotg.com/eq-for-smoothing-dialogue-audio/
Sometimes dialogue audio sounds just a little harsh, even though you recorded it at a good level without clipping or distorting. This is just the nature of some microphones combined with some voices. So what can you do?
August 16, 2015, 07:23 AM
http://soundworkscollection.com/videos/the-music-o...
In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer Joe Trapanese about his work on the film Straight Outta Compton.
August 15, 2015, 02:12 PM
https://www.aotg.com/star-wars-music-by-john-williams-1980-doc/
A rare account of John Williams composing the historic score for The Empire Strikes Back, with the London Symphony Orchestra.
August 14, 2015, 12:14 PM
http://designingsound.org/2015/08/site-archives-up...
It’s been long overdue, but we’ve finally u […]
August 14, 2015, 05:51 AM
http://soundworkscollection.com/news/soundworks-co...
This week we talk with Composer Bear McCreary about his work on the first season of the Starz show Outlander, the epic new series from Ronald D. Moore based on Diana Gabaldon’s epic novels.
August 13, 2015, 12:34 PM
http://designingsound.org/2015/08/news-close-liste...
As this is the month of favorites, what do you “h […]
August 13, 2015, 12:33 PM
https://www.aotg.com/rode-link-audio-effects/
Ryan reviews the Rode Link Wireless Audio System & talks audio effects from last weeks Domain Ad!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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