To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

6 Tips For Adding Effects To A Mix

June 27, 2018, 09:27 AM

http://bobbyowsinskiblog.com/2018/06/27/6-effects-...

One of the reasons why we record elements in stereo is to capture the natural ambience of an instrument. Because we can’t always record everything this way, we must create this aural space artificially, and that can be a problem for some new to mixing. There are so many choices and variables available with effects these days that things can get confusing, but these 6 tips that can help you choose what you need for each track more efficiently, courtesy of the 4th edition of The Mixing Engineerâ...

PACIFIC RIM - UPRISING: Behind the VFX with Pete B

June 27, 2018, 09:27 AM

http://www.artofvfx.com/pacific-rim-uprising-behin...

Here is a second interview by DNEG about their work on PACIFIC RIM – UPRISING featuring, this time, VFX Supervisor Pete Bebb...

Disney and Pixar Sued again for Inside Out

June 27, 2018, 09:26 AM

https://www.cartoonbrew.com/law/disney-and-pixar-s...

Just four months after prevailing in one copyright lawsuit over their 2015 Oscar winner, Inside Out, The Walt Disney Company and Pixar Animation Studios were named in two additional, separate lawsuits in the past weeks, both claiming that the creators of Inside Out based the film on their works.

Digital Production Buzz – June 28, 2018

June 26, 2018, 12:46 PM

https://www.digitalproductionbuzz.com/2018/06/digi...

User groups were at the heart of the personal computer revolution - but where are they now? What makes a user group successful? What are the challenges in running a group? This week, we talk with user group leaders across the US to learn what it takes to run a user group, how they pick topics and how they see the future of user groups. Join host Larry Jordan as he talks with Michael Horton, Sue Lawson, Wendy Woodhall, Carey Dissmore and James DeRuvo. There from the Beginning: LACPUG Chi...

Create Ghost Trails for Animation in Fusion

June 26, 2018, 12:46 PM

https://lesterbanks.com/2018/06/ghost-trails-anima...

Chetal Gazdar Shows How to Create Ghost Trails for Animated 3D Objects Using BMD Fusion. Trying for a strobe photography effect, or trying to get a look of ghost trails? With Black Magic Design Fusion, the

Netflix’s Lost in Space: mastering for Dolby Vis

June 26, 2018, 12:45 PM

http://postperspective.com/netflixs-lost-space-mas...

There is a world of difference between Netflix’s ambitious science-fiction series Lost in Space (recently renewed for another 10 episodes) and the beloved but rather low-tech, tongue-in-cheek 1960s show most fondly remembered for the repartee between persnickety Dr. Smith and the rather tinny-looking Robot. This series, starring Molly Parker, Toby Stevens and Parker Posey (in a very different take on Dr. Continue reading → June 26, 2018 The post Netflix’s Lost in Space: mastering for...

Film Powered

June 26, 2018, 12:45 PM

https://americancinemaeditors.org/filmpowered/

Film Powered (www.filmpowered.com) is a networking and skill sharing tool for professional women in the industry. It is a free, membership based community of over 1,800 vetted women offering classes, social events and job postings designed to increase the skills and strengthen the contacts of and relationships between our members in an effort to reach gender parity in our business. And one of the most popular roles that employers have been using the jobs board to hire for, has been editors.

A Conversation with Kevin Tent, ACE - FULL PANEL

June 26, 2018, 08:57 AM

https://www.aotg.com/a-conversation-with-kevin-tent-ace-full-panel/

About Kevin Tent, ACE: Kevin began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has si...

Create a Stunning 3D Radial Particle Effect With S

June 26, 2018, 08:56 AM

https://lesterbanks.com/2018/06/3d-radial-particle...

Najib Khayati Demonstrates a 3D Radial Particle Effect With Stardust in After Effects Although the original network looks a little daunting, creating the setup for a 3D radial particle effect bit by bit is a

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