To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Premiere Pro 4.2 and AVC-INTRA
November 17, 2009, 04:10 AM
http://provideocoalition.com/index.php/adobe/story...
The new Premiere Pro CS4 4.2 and Adobe Media Encoder CS4 4.2 offer new improvements and enhancements to CS4 video workflows. With the 4.2 update, Premiere Pro now offers users of Panasonic’s AVC-Intra line of P2 cameras the chance to edit in native AVC-Intra format. This has been a longtime coming for AVC-Intra users and they can now enjoy the advantages of Adobe CS4 tapeless workflows and native editing.
Matrox Announces Windows 7 Support
November 17, 2009, 04:09 AM
http://provideocoalition.com/index.php/VideoGuys/s...
Anatomy of an Extreme Kellie Edit: Swimming
November 17, 2009, 04:06 AM
http://blogs.nppa.org/editfoundry/2009/11/03/anato...
Wes Plate: President, Automatic Duck
November 16, 2009, 04:04 AM
http://www.macvideo.tv/editing/interviews/index.cf...
Automatic Duck provides solutions for video editors needing to move between applications. To understand what they offer we need to step back in history. When Final Cut Pro appeared on the video scene in 1999 the professional world was entrenched with AVID. TO move an AVID project to Final Cut Pro or from Final Cut Pro to AVID was not a simple process.
Jason Levine, Share the love with CS4
November 16, 2009, 04:03 AM
http://www.macvideo.tv/editing/features/index.cfm?...
In this demo recorded at the FCPUG NAB SuperMeet, Jason's charismatic style comes though as he shows off key technologies with Adobe's CS4 suite of applications. See how simple it is to bring a Final Cut Pro project into Adobe Premiere Pro, to then work with this content in After Effects and to author Blu-ray discs using Adobe Encore. Jason also shows how to make use of the Speech Transcription technology whilst editing.
Thanksgiving Linkage
November 15, 2009, 04:02 AM
http://www.scottsimmons.tv/blog/2009/11/15/thanksg...
Scott Simmons Thanksgiving Linkage. Check out this months list of film editing links to check out.
Top 10 FCP Updates #7
November 13, 2009, 03:58 AM
http://www.videoguys.com/Blog/E/Dianas+Top+10+Fina...
You know those little post-it note pads that come in multiple colors? Ok, admit it now. Do you ever color-code your notes? Maybe yellow notes are financial, pink ones are hot to-do items. Well with Final Cut Pro 7, you can now use color to label your markers in a very similar way. There are several other marker improvements as well.
Avid Screencast Eps. 4
November 13, 2009, 03:57 AM
http://avidscreencast.com/2009/11/04-changing-fiel...
In this episode, we’ll combat the stuttery mess of wrongly imported or ingested interlaced video footage by swapping the field order with the help of the Matte Key real-time effect. Buckle up, this one’s going to get geeky! And don’t forget to check out the show notes for more.
Vegas has Mojo
November 10, 2009, 03:51 AM
http://prolost.com/blog/2009/11/10/vegas-has-mojo....
If you’re hanging out with a bunch of editors and you want to play a mean trick on a friend, just find the one guy in the room who uses Sony Vegas (there will be one guy, and only one) and tell that guy that your friend, yeah, the one over there at the bar, he’s super curious about Vegas and would love to hear all about it.
Steenbeck Alive and Kicking
November 9, 2009, 03:49 AM
http://www.macvideo.tv/editing/features/index.cfm?...
In the 1970's video editing was primitive and film production ruled the scene. Several film editing manufacturers produced editing tables. In Europe, king of the roost was Steenbeck. The company offered a flatbed editing table with excellent image display, and various models with up to 6 or 8 plates available, so that one could load up separate film reels and separate sprocketed mag striped tape to quickly access content and build a production.
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