It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 5, 2018, 04:53 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Audio post studio PlushNYC has expanded its team by adding veteran audio and music shop Headroom to its roster. The expanded company will operate under the Plush banner.
June 5, 2018, 04:52 PM
https://pospotime.wordpress.com/2017/10/17/946/
One of the first "30 minutes" at TV3 edited using Davinci Resolve.
June 5, 2018, 10:31 AM
http://postperspective.com/behind-title-wetas-head...
NAME: Luca Fascione COMPANY: Wellington, New Zealand’s Weta Digital WHAT’S YOUR JOB TITLE? Senior Head of Technology and Research WHAT DOES THAT ENTAIL? In my role, I lead the activities of Weta Digital that provide software technology to the studio and our partners. Continue reading → June 5, 2018 The post Behind the Title: Weta’s Head of Tech and Research Luca Fascione appeared first on Randi Altman's postPerspective.
June 5, 2018, 03:58 AM
http://www.digitalproductionbuzz.com/2018/06/digit...
Apple showcased the future and we have a report direct from WWDC18. Then, we look at the state-of-the-art in media collaboration tools with reports from Avid, Adobe and Frame.io, each highlighting how we can all work together. Join host Larry Jordan as he talks with Tim Standing, Alan Hoff, Alissa Johnson, Emery Wells and James DeRuvo. News Direct From WWDC18 Collaboration Tools From Avid Collaboration Tools from Adobe Collaboration Tools from Frame.io The Weekly DoddleNEWS Update ...
June 5, 2018, 03:57 AM
http://www.3dvf.com/actualite-23566-hybride-showre...
The Hybrid studio presents its new showreel visual effects. There will be Star Wars: The Last Jedi, Valerian or Kong: Skull Island.
June 4, 2018, 12:25 PM
https://www.pro-tools-expert.com/home-page/2018/5/...
When working on songs with slower tempos, it's not uncommon for the band to request a double-speed click. Your first thought may be to double the session's tempo, but that will destructively move your markers in relation to the timeline. Whether you're recording your click on each take or not, you can use one of two simple ways to jump from a 1/4 note to an 1/8 note using the Click II plug-in or Time Operations window in Pro Tools.
June 4, 2018, 12:25 PM
https://www.shutterstock.com/blog/pairing-color-ty...
Feeling in a bit of a color rut and want to give an instant update to your typography? Try out these seven tried-and-tested color and type combinations in your next project.
June 4, 2018, 09:25 AM
http://www.artofvfx.com/deadpool-2-mike-brazelton-...
Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.
June 4, 2018, 04:53 AM
https://fxfactory.com/blog/final-cut-pro/elastic-t...
Ease your footage in and out, applied through the title layer for ultimate flexibility.
June 4, 2018, 04:52 AM
http://www.fcp.co/final-cut-pro/news/2083-luca-vis...
You might be familiar with Luca and Luca Visual Fx plugins. But did you know he also composes music and sound effects? He's just released a Mystery & Suspense sound library and has very kindly published a coupon code for 20% off for FCP.co readers.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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