It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 19, 2020, 01:42 PM
https://www.youtube.com/watch?v=GL61Y8BO1ts
Join us for a deep dive into Pro Tools | Carbon and learn everything you need to know about our lastest interface and its intelligent Pro Tools integration with the Hybrid Engine ▶️ https://www.avid.com/carbon Follow Avid Pro Tools: https://facebook.com/avidprotools https://instagram.com/avid.protools https://twitter.com/avidprotools https://www.linkedin.com/showcase/avid-pro-tools https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
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https://www.premiumbeat.com/blog/dolby-cinema-for-...
Let's explore the Dolby Cinema experience and see what makes it so unique for filmmakers and audiences alike.
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https://www.youtube.com/watch?v=SVyftefPy1E
In this special edition of our Community Plugin, Avid’s François Quereuil and Kyle Splittgerber will be answering your questions about Pro Tools | Carbon and Pro Tools 2020.11 ▶️ https://www.avid.com/carbon Follow Avid Pro Tools: https://facebook.com/avidprotools https://instagram.com/avid.protools https://twitter.com/avidprotools https://www.linkedin.com/showcase/avid-pro-tools https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
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https://www.asoundeffect.com/the-queens-gambit-sou...
Go behind 'The Queen's Gambit's satisfying sound, the 'Cutting Room 2.0' approach & much more - with sound designer Wylie Stateman and re-recording mixer Eric Hoehn:
#sound design#sound effects#the queen's gambitNovember 15, 2020, 06:17 PM
https://www.digitalspy.com/movies/a34676487/tenet-...
Christopher Nolan has defended the sound mixing in his movies after a number of complaints.
November 14, 2020, 02:25 PM
https://www.youtube.com/watch?v=g0NiQCyPLY0
For artists, bands, and producers, Pro Tools | Carbon is a new breed of audio interface—built to capture brilliance. It’s a hybrid audio production system that features incredible sound quality and combines the power of your native CPU with onboard HDX DSP acceleration. So you can push your computer to the limit when you mix and record through AAX DSP plugins with near-zero latency monitoring. All at the touch of a button. All in Pro Tools. ▶️ https://www.avid.com/carbon Follow...
November 14, 2020, 10:05 AM
https://www.asoundeffect.com/ratched-netflix-sound...
Find out how the sound for 'Ratched' was made, covering everything from designing mind-altered states using various editing and mixing techniques, the benefits of mixing a music-dominant soundtrack in Dolby Atmos, to defining spaces with reverb & much more - thanks to Thanks to sound supervisor Gary Megregian and re-recording mixers Joe Earle and Doug Andham:
#sound design#netflix#ratched#ratched soundNovember 12, 2020, 08:15 PM
https://www.aotg.com/pliant-announces-30-day-satisfaction-guarentee/
In support of its customers easing back into production, Pliant Technologies announces a 30-day return satisfaction guarantee on all of its CrewCom 900MHz and MicroCom 900MHz professional wireless intercom products. With this initiative, Pliant is going the extra mile to ensure that its customers are completely satisfied with their Pliant products.
November 10, 2020, 07:00 PM
https://www.aotg.com/tsl-brings-its-ip-expertise-to-the-mpa1/
As the latest addition to TSL Products’ range of entry-level MPA1 audio monitors, the new MPA1-SOLO-IP helps to make the transition to IP seamless, providing peace of mind and ease of use in even the most demanding environments at a competitive price.
#broadcast#tsl products#remote productionNovember 10, 2020, 05:07 PM
https://www.aotg.com/gene-martin-calls-on-dpa-4097-micro-shotgun/
When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a “technical nightmare” for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols.
#dpa microphones#audio interface#audio recording
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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