To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Watch the NAB Debut of ProRes RAW with Atomos on t
April 18, 2018, 04:31 AM
http://www.fcp.co/final-cut-pro/articles/2066-watc...
The week before NAB 2018, Apple announced a new version of Final Cut Pro X with support for closed captions, and the brand new ProRes RAW codec. In the announcement, Atomos and DJI were listed as the first two companies to support capture of the ProRes RAW codec. In the first of the video presentations from the Faster Together stage at NAB, Jeromy Young debuts ProRes RAW.
Sound And Picture: Richard Ludlow On Sound And Mus
April 18, 2018, 04:30 AM
http://designingsound.org/2018/04/18/sound-and-pic...
Sound And Picture has published an interview with Richard Ludlow (Audio Directory/Owner at Hexany Audio) in which he gives insights on approaching sound and music for new emerging interactive media platforms like Amazon Alexa. You can read the full article here.
PACIFIC RIM - UPRISING: Holograms by Blind LTD
April 18, 2018, 04:30 AM
http://www.artofvfx.com/pacific-rim-uprising-holog...
Blind LTD have released a bunch of pictures about their holograms work on PACIFIC RIM – UPRISING (click on the picture below to watch them)...
Is Resolve 15 now the ultimate "hero suite"?
April 18, 2018, 04:30 AM
https://www.redsharknews.com/post/item/5418-is-res...
There have been very few attempts at hero suites in the film industry. The most notable have been SGO's Mistika and Quantel's Rio. Neither have ever been particularly accessible to independent filmmakers, primarily due to their price tags. Mistika, until very recently, was available either as a single-shot compositor in the form of MambaFX or as part of a turn-key workstation with starting prices in the six-figure range. Rio's pricing was similar.
Secret Genius for Spotify FCPX Workflow
April 18, 2018, 04:30 AM
http://www.fcpworks.com/spotify-fcpx-workflow/
In this exclusive interview, FCPWORKS chats with Ben Jehoshua from Brian Graden Media. Ben recently directed the debut season of Secret Genius, a Spotify documentary series about singer-songwriters. The project was also the first piece of original video content for Spotify and was produced using Final Cut Pro X and Lumaforge’s Jellyfish.
Engaging Silence: Behind the daring sound of A Qui
April 17, 2018, 05:26 PM
https://www.prosoundeffects.com/blog/engaging-sile...
Learn about the intricate and risky sonic decisions made while creating the sound of A Quiet Place. Watching A Quiet Place will make you feel more like a participant than a spectator. A family of five in a post-apocalyptic world must try to survive while vicious creatures are on the ... The post Engaging Silence: Behind the daring sound of A Quiet Place appeared first on Pro Sound Effects Library.
When I’ve been in my bay all day and step out fo
April 17, 2018, 12:57 PM
http://renderplease.com/post/173032237520
Creating the look for Netflix’s The End of the F
April 17, 2018, 12:57 PM
http://postperspective.com/creating-look-netflixs-...
By Adrian Pennington Toby Tomkins co-founder of boutique studio Cheat explains how he worked with 8K rushes shot on Red to devise and execute the stylish look of Netflix’ hit dark comedy The End of the F***ing World. Content in 8K UHD won’t be transmitting or streaming its way to a screen anytime soon but the ultra-high resolution format is already making its mark in production. Continue reading → April 17, 2018 The post Creating the look for Netflix’s The End of the F***ing Worl...
New Houdini Particle Effects Training by MaxDepth
April 17, 2018, 09:20 AM
http://lesterbanks.com/2018/04/houdini-particle-ef...
Tim Hanson’s New Nebula Workflow and Techniques Gets Users on Path to Mastering Houdini Particle Effects. Looking to learn more about Houdini and particle effects workflow? There is some good news in that area with
Cutting ‘Nothing to Lose’ — Brazil’s Most
April 17, 2018, 09:20 AM
http://www.avidblogs.com/cutting-nothing-lose-braz...
The article Cutting ‘Nothing to Lose’ — Brazil’s Most Ambitious Feature Film by Francisco Antunes appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.