It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 17, 2018, 05:11 AM
http://saeditores.org/Novedades/Cisne-negro-por-An...
Enfrentarse a una escena con seis o siete horas de material bruto, rodada de modo casi documental siguiendo improvisadamente a un gran grupo de bailarinas, y lograr encontrar el corazón, el elemento patrón que nos permita darle una organización y llegar a buen puerto frente a una situación tan compleja: es el caso que relata detalladamente Andrew Weisblum (ACE) acerca de la edición de Cisne negro (Darren Aronofsky, 2010), trabajo que le valió un Oscar de la Academia a la Mejor Edición.
April 17, 2018, 05:06 AM
http://www.cgmeetup.net/home/the-walking-dead-ep-8...
Goodbye Kansas Studios – The Walking Dead has firmly established itself as one of the most successful and popular TV series in the world. We have been doing VFX for this undead hit show since season 6, resulting in an Emmy nomination for our VFX Supervisor Staffan Linder and his team in 2016 (for their work on ep 609).
April 16, 2018, 11:44 AM
http://www.btlnews.com/featured/masterfully-crafte...
We live in a society where sound is omnipresent. A Quiet Place takes us back to the root of solitude but simultaneously experiments with the versatility of sound sonically and atmospherically within the dynamic spectrum. Director John Krasinski (“The Office,” 13 Hours) sought two of the top supervising sound editors in Erik Aadahl and […] The post Masterfully Crafted Sound Within A Quiet Place appeared first on Below the Line.
April 16, 2018, 11:44 AM
http://lesterbanks.com/2018/04/overlapping-action-...
Luismi Herrera’s Maya Script LMspring, Creates Overlapping Action in Animation Using Physics. Inspired by Animator Richard Lico’s method for creating overlapping action in characters by using particles and dynamics, Luismi Herrera packaged the process within
April 16, 2018, 11:44 AM
https://edaeditores.org/20-bafici-nominados-a-mejo...
Manuel Ferrari, editor de Penélope, nos cuenta cómo fue el proceso de montaje de la película, nominada al Premio al Mejor montaje de película argentina en competencia, que otorgarán EDA y SAE en la 20ª edición del BAFICI: “Con Agustín Adba tuve la suerte de participar desde muy temprano en el proceso que dio inicio […]
April 16, 2018, 03:39 AM
http://www.btlnews.com/industry-master-calendar/in...
Welcome Below the Line Subscribers, The Cleveland International Film Festival, Athens International Film Festival, and the Indian Festival of Los Angeles are all ending today, March 15th. The Atlanta Film Festival continues their festivities throughout this week. Starting this Thursday, the 19th, is the RiverRun International Film Festival in North Carolina. The Moet Moment Film […] The post Industry Master Calendar April 15, 2018 – Film Festival Season & Moet Moment appeared first on B...
April 16, 2018, 03:38 AM
http://www.fcp.co/final-cut-pro/articles/2065-buil...
We are always having to cut or extend music to the right length, always a lot of foot tapping, marker placing and nibbling frames away to get the perfect result. What if there was an easier and more flexible way? FCP Audio has an interesting range of music products that uses 'Soundstacks' that build music in sections.
April 16, 2018, 03:38 AM
https://journaldunemonteuse.wordpress.com/2018/04/...
Hier soir j’ai été créditée sur le court-métrage Travelers comme « Cheffe monteuse ». J’invite toutes les « cheffes » à faire de même, c’est trop la classe ! Publicités
April 15, 2018, 08:37 AM
http://designingsound.org/2018/04/15/nathan-moody-...
Nathan Moody from Stimulant has written an interesting piece about his experience/approach to musical sound design for installations. The article touches on expectations and listener fatigue, considerations regarding the installation environment and how science fiction sounds often don’t translate well into the real world. You can read the full story here.
April 14, 2018, 04:27 PM
https://digitalfilms.wordpress.com/2018/04/14/viva...
As more and more folks get all of their information through internet sources, the running question is whether or not trade shows still have value. A show like the annual NAB (National Association of Broadcasters) Show in Las Vegas is both fun and grueling, typified by sensory overload and folks in business attire with sneakers. […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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