It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 6, 2018, 04:20 AM
https://www.asoundeffect.com/spatial-audio/
Stephan Schütze has worked in game audio for nearly 20 years, and, based on his extensive research and experience, he's just published a book on sound for VR, AR, MR and 360 video. In this interview, he looks at the current state of spatial audio, lessons learned writing the book - and why immersive sound matters.
April 5, 2018, 03:24 PM
https://www.aotg.com/the-colonie-adds-editor-erich-wiemer-to-its-roster/
The Addition of Wiemer Expands The Creative Company's Diverse Roster of In-House Talent and Provides Chicago and Detroit Agencies and Brands with Access to An Award-Winning Creative Editor
#editing#vfx#broadcast#motion graphics#the colonie#bob ackerman#social media#erich wiemerApril 5, 2018, 12:49 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LAS VEGAS — Adobe reps will be at the Killer Tracks booth a number of times throughout the NAB show, demonstrating Killer Track’s Extension for Adobe Premiere Pro. The plug-in makes it easier for Adobe Premiere users to audition and download tracks right in the Adobe platform, without having to go to a separate Website.
April 5, 2018, 11:56 AM
https://www.aotg.com/source-digital-partners-with-prime-image/
As it becomes increasingly important to effectively engage viewers through metadata to monetize content, Source Digital, a leading provider specializing in monetization strategies, is collaborating with Prime Image to add a machine learning component to its SourceSync.io platform.
April 5, 2018, 09:25 AM
http://www.fcp.co/final-cut-pro/articles/2058-appl...
Apple has announced that updates of Final Cut Pro X to 10.4.1, Motion to 5.4.1 and Compressor to 4.4.1 will be available as free upgrades on Monday April 9th 2018. Two big new features for FCPX are Closed Captions and the ability to use the new ProRes RAW codecs. Apple also announced that 2017 was FCPX's best year with over 500,000 new seats being sold, bringing the total tally of seats sold to over 2.5 million since launch.
April 5, 2018, 09:25 AM
http://lesterbanks.com/2018/04/size-houdini-assets...
Life Effects’ David Kahl Shows How you Can Normalize Geometry, Easily Scaling to the Right Proportions. When working with multiple sources of Houdini assets, they might come in at different scales; some will come in
April 5, 2018, 09:24 AM
https://www.cinema5d.com/pond5-launches-new-artifi...
This technology recognizes patterns in shape, color and composition, and compares them to the tons of images and clips that already exist on the Pond5 platform in order to find similar results.
April 5, 2018, 09:24 AM
http://www.artofvfx.com/maze-runner-the-death-cure...
Chris White began his visual effects career more than 23 years ago at Industrial Light & Magic. He has worked on films such as MARS ATTACKS!, THE LOST WORLD, JURASSIC PARK, THE PERFECT STORM and STAR WARS: EPISODE II – ATTACK OF THE CLONES. In 2003, he joined Weta Digital and worked on KING KONG, AVATAR, RISE OF THE PLANET OF THE APES and THE HOBBIT trilogy.
April 5, 2018, 09:24 AM
https://www.macrumors.com/2018/04/05/final-cut-pro...
The headline feature is a new ProRes RAW format, which combines the visual and workflow benefits of RAW video with the performance of ProRes, a lossy video compression format developed by Apple for use in post-production.
April 5, 2018, 09:24 AM
https://www.provideocoalition.com/apple-prepares-a...
NAB 2018 will see an update to another NLE as Final Cut Pro X will hit version 10.4.1. This comes just a few months after the big 10.4 update that brought new color tools among the major new features. This is an incremental update with a few noteworthy features including closed captioning tools, enhanced exporting options for Roles, an updated Compressor and what I think might be the most noteworthy feature in a while as far as Apple pro video goes, a new ProRes flavor in ProRes RAW.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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