To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Join the Designing Sound team
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DesigningSound.org is looking for new contributors to begin June (2018), and we’re doing things a little differently from the past. The team is comprised of volunteers who contribute their time to enrich the sound design community and promote the sharing of knowledge. The site itself continues to be an add-free source of valuable information and […]
Working With Yeti’s Blend Node to Modify Grooms
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http://lesterbanks.com/2018/03/yeti-blend-node-mod...
Bjørn Blaabjerg Sørensen Looks at the Basics for Working With Yeti’s Blend Node. Aimed at beginners, CG Generalist Bjørn Blaabjerg Sørensen shows some basic techniques for working with Yeti’s Blend Node. Used as a modifier
ANNIHILATION: Andrew Whitehurst - Overall VFX Supe
March 21, 2018, 09:32 AM
http://www.artofvfx.com/annihilation-andrew-whiteh...
Andrew Whitehurst began his visual effects career in 2003 at Framestore. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.
Wisycom Opens Its Doors in The United States
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https://www.aotg.com/wisycom-opens-its-doors-in-the-united-states/
Wisycom USA Makes its Debut at NAB 2018
#nab#wisycom#nab 2018ENTREVISTA: Laurent Dufreche y Raúl López por el
March 21, 2018, 04:21 AM
http://www.finalcutpro.es/2018/03/entrevista-laure...
Laurent Dufreche y Raúl López son pioneros en el uso de Final Cut Pro X en el montaje de cine. Hace ya tres años entrevistamos a Raúl por el montaje de “Loreak” y nos quedamos con ganas de más. Ahora, ambos tienen un Goya al mejor montaje por la magnífica “Handia“. Aprovechando su reciente estreno [...] La entrada ENTREVISTA: Laurent Dufreche y Raúl López por el montaje de Handia se publicó primero en finalcutpro.es.
VFX for SCANDAL & HOW TO GET AWAY WITH MURDER
March 21, 2018, 04:21 AM
https://library.creativecow.net/Golden_Sherri/VFXL...
VFX Legion (www.vfxlegion.com) recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. The storylines of the political thriller and legal drama intersect in the back-to-back two-hour event, which premiered March 1st on ABC and continues to rank as a streaming favorite on Hulu.
Cate Haight ACE on Editing Indie Hit Puzzle
March 21, 2018, 04:20 AM
https://library.creativecow.net/caldwell_alee/cath...
Cate Haight, ACE began exploring an editing career as many others have: logging footage as a production assistant. She then spent a decade learning and mastering the craft as an assistant editor before she went on to edit several notable TV series and films: the Amazon hit series Transparent (which landed her an Emmy nom), Mozart in the Jungle, New Girl, and 2013 Sundance Grand Jury Prize nominee Afternoon Delight.
Digital Production Buzz – March 22, 2018
March 20, 2018, 06:14 PM
http://www.digitalproductionbuzz.com/2018/03/digit...
Tonight, we look at the state of the media industry two weeks before NAB redefines it for the coming year. From issues like net neutrality, too many free-lancers chasing too few jobs and the changing role of women in media, we look at current industry trends and see where they are heading. Not all the new is good, but all of it is important. Join host Larry Jordan as he talks with Mark Harrison, Douglas Sheer, Stefan Lederer, Randi Altman and James DeRuvo. The Future Isn't What We Think...
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