It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 11, 2014, 10:49 AM
http://www.prnewswire.com/news-releases/audionamix...
LOS ANGELES, Dec. 11, 2014 /PRNewswire/ -- Audionamix announces the release of the ADX Vocal Volume Control Plug-in. The industry leader in audio source separation and creator of the award winning software ADX TRAX, moves forward as an authorized AVID development partner and has teamed up with well-respected Blue Cat Audio to release their groundbreaking AAX Native 64 Plug-in for Pro Tools 11.
December 11, 2014, 10:48 AM
http://www.sonicscoop.com/2014/12/11/tk-audio-anno...
This 500 series module makes parallel processing easier than ever – an easy example would be using an LA2A compressor as one input on the Mono Blender, while simultaneously feeding a vocal track into the Mono Blender. Users need only to twiddle the wet/dry ratio.
December 11, 2014, 06:47 AM
http://designingsound.org/2014/12/psychology-of-10...
For this month’s topic of “Psychoacoustics” I thought I’d stretch the definition a bit and finally write an article I have wanted to for a while now, and discuss the sound design of World of Warcraft.
December 11, 2014, 06:46 AM
http://soundandpicture.com/2014/12/hobo-handles-so...
New York, NY – Online ads offer both brands and creative teams the opportunity to take artistic risks beyond the confines of broadcast television — for evidence, HOBO President Howard Bowler points to the company’s recent online work for Poo-Pourri, Zipcar and Hello Flo.
December 11, 2014, 06:45 AM
http://masteringfilm.com/music-for-film-and-televi...
SONGS IN MOVIES Songs have been a big part of the movie-making process ever since the beginning of “talkies,” with Al Jolson singing “My Mammy” in The Jazz Singer (1927)—a prime example of an on-camera featured song in a movie. Songs have always been an important part of entertainment, and their attraction, interest, and “pull”...
December 10, 2014, 06:59 PM
http://jameshorner-filmmusic.com/conversation-jame...
Just like Ray Kinsella, the character played by Kevin Costner in Field of Dreams, a voice (or rather my intuition) led me to create the Association and the James Horner Film Music website.
December 10, 2014, 01:52 PM
http://blogs.indiewire.com/theplaylist/best-of-201...
Last week we kicked off our end-of-year coverage (all of which to date you can find here) in fine style by celebrating our 15 favorite scores of the year, but that’s only half the story in regards film music. Just as integral to our enjoyment, and often even more so to a film’s profile (as an ancillary, well-curated selection of earwormy tracks can be a highly marketable extra), is the soundtrack.
December 10, 2014, 10:38 AM
http://feeds.avid.com/~r/AvidPressRoom/~3/-gESoaZf...
Award nominees created with the company’s industry-leading music solutions include Beyoncé’s Beyoncé, Ed Sheeran’s X, and Pharrell Williams’ Girl.
December 10, 2014, 10:38 AM
http://www.btlnews.com/awards/contender-sound-mixe...
The sonic endeavor of Universal's Get on Up was to transport the audience to a live James Brown concert. Maintaining authenticity in every way possible was the goal of director Tate Taylor and his crew, including sound mixer Steven Morrow. Using original James Brown recordings and re-created live performances lensed by Stephen Goldblatt, transporting the movie theater audience to concert venue became possible. Said Morrow, "The director and studio were always really interested in making su...
December 10, 2014, 10:37 AM
http://provideocoalition.com/mspencer/story/audio-...
How do you cross-fade just the audio portion of an edit point? That's the question we tackle on this week's episode of MacBreak Studio. I start by showing Steve Martin from Ripple Training a simple storyline of clips, where I want to audio...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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