To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Render Stress

November 21, 2014, 07:46 AM

http://animationguildblog.blogspot.ca/2014/11/rend...

... The 4K revolution is proving to be a stumbling block for the animated market, as it not only puts a strain on the limitations of the machines that are currently used in the production, but they also could cause the production teams to run into delays with the time it takes to actually make the movie.

If Content Costs Less is it Less Valuable?

November 21, 2014, 07:46 AM

http://www.pro-tools-expert.com/home-page/2014/11/...

I’ve always been a inconsistent purchaser of music. I’d like to say I was one of those people who buys a couple of albums a week but in truth I’m not. I know many people who are and I admire them but my purchasing habits have always been sporadic, coming in infrequent clusters rather than a constant stream.

Sound designers Yosemite Users, Don't Do It!

November 21, 2014, 07:45 AM

http://www.pro-tools-expert.com/home-page/2014/11/...

Avid have announced the latest update for Pro Tools 11. However, disappointingly it doesn’t include support for Apple’s current OS - Yosemite. Avid tell us that Pro Tools 11.2.2 does support Mac OS X 10.9, 10.9.1, 10.9.2, 10.9.3, 10.9.4 (Mavericks) and Mac OS X 10.8.5 (Mountain Lion).

The Sound Production For Interstellar

November 20, 2014, 03:12 PM

https://fstoppers.com/audio/go-behind-scenes-sound...

Undoubtedly, audio is one of the most important story telling tools in cinema. Improper use or overuse of sound can dramatically affect the impact of the viewing experience. After the recent release of Christopher Nolan's Interstellar, there has been a lot of buzz about the 'mix being muddy'.

‘Fury,’ Part I: The Sounds of War

November 20, 2014, 12:44 PM

http://postperspective.com/fury-part-sounds-war/?u...

By Jennifer Walden Having three job titles  on a film may seem like a huge undertaking, but it’s actually quite a natural flow — taking the reins at the starting gate and steering a film’s sound from the pre-production phase through the final mix of the sound effects. That’s just what Paul N.J. Ottosson (sound […]The post ‘Fury,’ Part I: The Sounds of War appeared first on postPerspective - Randi Altman's postPerspective.

A Virtual Tour of Our New Audio Section

November 20, 2014, 12:43 PM

http://about.abelcine.com/2014/11/20/a-virtual-tou...

Sound can be an intimidating topic for many videographers, especially with the current demand for videographers and camera operators to provide their own audio for smaller projects. That’s why we’ve selected the best products and expanded our audio displays in both our NY and LA locations in order to make fulfilling these needs easier. Our new audio section is divided into four areas: on and off camera microphones, on-camera and boompole shock mounts, a listening station, and microphone acce...

DP/30: Birdman, score by Antonio Sanchez

November 20, 2014, 12:43 PM

https://www.aotg.com/dp-30-birdman-score-by-antonio-sanchez/

Shot in Los Angeles, November 2014 - DP/30: Birdman, score by Antonio Sanchez

Preparing a Location for Recording and Ambience

November 20, 2014, 07:59 AM

http://masteringfilm.com/preparing-a-location-for-...

Preparing a Location for Recording You’ve probably heard the comment “We’ll fi x it in post.” If you’re on a fi lm shoot with a heavy audio postproduction budget, then almost anything is possible. But in video, what you record on location is pretty much what’s going to end up in the final product. Preparing...

5 Ways Music Is Misused In Films (and How to Do Be

November 19, 2014, 07:23 PM

http://www.premiumbeat.com/blog/top-5-ways-music-m...

Music can drive your story and enhance the message of your film, but the process of marrying the two is often underestimated. The post 5 Ways Music Is Misused In Films (and How to Do Better) appeared first on The Beat: A Blog by PremiumBeat.

Amadeus Pro, Audio Hijack, Sole Giménez and Capic

November 19, 2014, 03:48 PM

http://provideocoalition.com/atepper/story/amadeus...

Previously, I described how to produce a podcast live-to-drive using BossJock Studio with an automatic mixer (article links ahead). However, that isn’t practical when you’re interviewing a Spaniard singer/songwriter like Sole Giménez (ex-Presuntos Implicados) about her latest album via an international phone call, and also want to intertwine pieces of her own music based upon her sometimes unexpected responses. Ahead is the workflow and the final recording I used with CapicúaFM’s lat...

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