To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Winnipeg Editor Nominated for an Oscar

January 25, 2018, 06:25 AM

http://www.cbc.ca/news/canada/manitoba/sidney-woli...

Film editor and former Winnipegger Sidney Wolinsky has received an Oscar nomination for his work on the Guillermo del Toro film The Shape of Water, which leads this year's pack with 13 nominations.

Editor Carla Gutierrez on crafting "RBG"

January 25, 2018, 06:25 AM

https://www.provideocoalition.com/carla-gutierrez-...

Editor Carla Gutierrez recently completed work on the film RBG, a feature documentary about US Supreme Court Justice Ruth Bader Ginsburg. The documentary was produced by CNN Films, co-directed by Betsy West and Julie Cohen, and lensed by cinematographer Claudia Raschke. It debuted at Sundance 2018 and has garnered critical acclaim. While visiting the festival last weekend, I had a chance to sit down with Carla and talk through her process as editor of the film.

OUTLANDER: VFX Breakdown by Goodbye Kansas Studios

January 25, 2018, 06:24 AM

http://www.artofvfx.com/outlander-vfx-breakdown-by...

Goodbye Kansas Studios presents their work on OUTLANDER...

Digital Production Buzz – January 25, 2018

January 24, 2018, 06:29 PM

http://www.digitalproductionbuzz.com/2018/01/digit...

Whether it's a theatre stage or a movie set - there is so much more that goes into it than just putting pieces of wood together. Tonight we talk with designers or sets that are both physical and virtual. Join host Larry Jordan as he talks with Maxim Jago, Chuck Parker, Mark Reyes, Marti Romances, Jayse Hansen, and James DeRuvo. Report from the Sundance Film Festival The Art of Designing a Set Set Design for Nonprofessional Theater Make a Set Look Believable Creating Holographic and ...

Review: Blackmagic’s DaVinci Resolve 14 for edit

January 24, 2018, 06:29 PM

http://postperspective.com/review-blackmagics-davi...

By Brady Betzel Resolve 14 has really stepped Blackmagic’s NLE game with many great new updates over the past few months. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab. Over the last two years, Continue reading → January 24, 2018 The post Review: Blackmagic’s DaVinci Resolve 14 for editing appeared first on Randi Altman's postPerspective.

Oscar-Nominated Sound Mixer, Editor and Designer J

January 24, 2018, 06:29 PM

http://www.studiodaily.com/2018/01/oscar-nominated...

You could say director Edgar Wright has been creating film genre mixtapes since his very first low-budget spaghetti western sendup, A Fistful of Fingers, right on through Shaun of the Dead, Hot Fuzz and The World’s End. But then along comes Baby Driver, his heist-movie homage to the iPod generation, and the mixtape metaphor not […] The post Oscar-Nominated Sound Mixer, Editor and Designer Julian Slater on Making Baby Driver Move to the Beat appeared first on Studio Daily.

New Script Automates Generating Color Controls in

January 24, 2018, 02:01 PM

http://lesterbanks.com/2018/01/new-script-automate...

Color Control Automation Helps to Create and MAnage Color Controls in After Effects If you regularly work with large After Effects projects and would like a quick way to create and manage color controls, perhaps The Post New Script Automates Generating Color Controls in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

Editorial Coverage From Chris Parkins For Sid Lee

January 24, 2018, 02:01 PM

https://roosterpost.wordpress.com/2018/01/24/edito...

The guy in the armor is back. Chris Parkins teams up with Untitled Films director Aleysa Young for an ‘Insure-vention’ on behalf of Sid Lee and Belair Direct. In the spot, an unsuspecting Dad learns how to save 20% by combining his insurance. Client: Belair Direct Title: Insure-vention Length: :60 Agency: Sid Lee Creative Director: Alexis […]

“I Started Editing by Accident”: Editor Sofia

January 24, 2018, 02:01 PM

http://filmmakermagazine.com/104310-i-started-edit...

Sofia Subercaseaux readily admits to editing her first feature film with the aid of “tutorials on YouTube.” That film, Crystal Fairy & the Magical Cactus, went on to premiere at Sundance in 2013. She has since gone on to edit Nasty Baby, Christine and Dina – all of which debuted at Sundance in 2015, 2016 and 2017, respectively.

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