It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 20, 2019, 12:05 PM
https://lesterbanks.com/2019/08/how-to-work-with-v...
Friedpixels dives into working with volumes and volume meshing in the latest Stardust release. The latest version of Stardust added some volume workflows centered around Open VDB. Working with the latest Stardust lets users create
August 20, 2019, 12:05 PM
https://postperspective.com/movielabs-hollywood-fi...
MovieLabs (Motion Pictures Laboratories), a non-profit technology research lab that works jointly with member studios Sony, Warner Bros., Disney, Universal and Paramount, has published a new white paper presenting an industry vision for the future of media creation technology by 2030. The paper, co-authored by MovieLabs and technologists from Hollywood studios, Continue reading → August 20, 2019 The post MovieLabs, Hollywood film studios release ‘future of media creation’ white pape...
August 20, 2019, 06:27 AM
https://www.aotg.com/tsl-products-presents-solutions-at-set-expo-2019/
Company to Feature its Newly Released SAM-Q-SDI as well as its IP Control Buddy and Anything Interface Boxes
#workflow#audio#broadcast#solutions#tsl products#sam-q#audio monitoring#set expo 2019#pam-ip#mpa1August 20, 2019, 05:58 AM
https://soundandpicture.com/2019/08/emmys-the-marv...
Media can get expensive. Especially when you're using larger and larger media files, requiring more storage. And when a card goes bad, it does so at the worst of times. But what if you could give your media cards a check-up and know when it's time to replace them? That's the idea behind ProGrade's New Refresh Pro Software. But there is a catch.
August 20, 2019, 05:58 AM
https://nofilmschool.com/pro-grade-software-replac...
Media can get expensive. Especially when you're using larger and larger media files, requiring more storage. And when a card goes bad, it does so at the worst of times. But what if you could give your media cards a check-up and know when it's time to replace them? That's the idea behind ProGrade's New Refresh Pro Software. But there is a catch.
August 20, 2019, 05:58 AM
https://nofilmschool.com/switched-final-cut-pro-x-...
I spent a quarter of a century editing on Avid and several years on Premiere Pro, so why did I decide to ditch them both and go with Final Cut Pro X? I'll tell ya.
August 20, 2019, 05:58 AM
http://www.fcp.co/final-cut-pro/articles/2200-the-...
Apple's Motion is now over 15 years old, so time to give FCPX's backbone companion app a little love. In the article below we take a look back, but the live chat will end up looking forward. Where is Motion going next? What features will the next Motion have and what would Motion benefit from getting. We discuss, live on YouTube!
August 20, 2019, 05:57 AM
http://www.philiphodgetts.com/2019/08/we-have-a-10...
While it’s not the first app we released, Sequence Clip Reporter has now been serving the Final Cut Pro, Premiere Pro and Resolve communities for 10 years! That’s an impressive achievement for a small Independent Software Vendor. Greg and I are fortunate that we are able to make a decent income serving our community with […]
August 20, 2019, 05:57 AM
https://postperspective.com/filmlight-offering-fre...
At this year’s IBC, FilmLight is hosting the free two-day seminar series, Color On Stage, on September 14 and 15. The event features live presentations and discussions with colorists and other creative professionals. The event will cover the role of the colorist today to understanding color management and next generation grading tools. “Color on Stage offers a good platform to hear about real-world interaction between colorists, Continue reading → August 19, 2019 The post FilmLight ...
August 19, 2019, 12:27 PM
https://www.studiodaily.com/2019/08/editor-vera-dr...
Vera Drew is an editorial polymath — in addition to her work in the edit suite, she’s also an accomplished writer and director who knows her way around animation and design. In fact, it was an early interest in animation that helped guide her career path as she came up through the ranks at Tim […] The post Emmy-Nominated Editor Vera Drew on Tim and Eric’s Channel 5, the Value of Subversive Comedy, and Showtime’s Who Is America? appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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