It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 19, 2019, 12:27 PM
https://www.provideocoalition.com/after-effects-cl...
In the previous post we showed you how to use a Solid layer plus Blending Modes to tint an image. Well, a clever plug-in developer decided to encapsulate this trick into an effect, and then extend what it can so. The result is Solid Composite, and it was one of our “secret weapons” when using... The post After Effects Classic Course: Solid Composite appeared first on ProVideo Coalition.
August 19, 2019, 12:27 PM
http://www.fcp.co/final-cut-pro/news/2199-new-fcpx...
The Final Cut Pro X ecosystem grows again with new workflow extensions. They are similar, one for SNS storage systems to browse content and another for Cantemo Portal, the shared storage Media Asset Manager.
August 19, 2019, 12:27 PM
https://www.provideocoalition.com/blackmagic-raw-s...
Blackmagic RAW Speed Test is a new CPU and GPU benchmarking tool that you can use to test the speed of decoding full resolution Blackmagic RAW frames on your system. How fast is your Mac? Now you can test your system’s CPU and GPU performance for working with full resolution Blackmagic RAW video. Blackmagic RAW... The post Blackmagic RAW Speed Test benchmark tool: how fast is your Mac? appeared first on ProVideo Coalition.
August 19, 2019, 06:02 AM
https://photography.tutsplus.com/articles/how-why-...
Lower thirds are the on-screen titles that help to give your audience context. They should be easy to read, and fit well with the themes of your production. Let’s look at how using a template can help with that.
August 19, 2019, 06:01 AM
https://www.therecordingsolution.com/audio-compres...
An audio compressor can be a tricky thing to understand when you’re first starting out.
August 18, 2019, 12:26 PM
https://digitalfilms.wordpress.com/2019/08/18/affi...
The software market offers numerous alternatives to Adobe Photoshop, but few companies have taken on the challenge to go further and create a competitive suite of graphics tools – until now. Serif has completed the circle with the release of Affinity Publisher, a full-featured, desktop publishing application. This adds to the toolkit that already includes […]
August 17, 2019, 08:42 AM
https://www.youtube.com/watch?v=i9mGSDluh9g
Film Editing Commandments hereby passed to us through Vashi Nedomansky, ACE. Get the free "5G Forever Account": https://thisguyedits.com/wipster Wipster is the new place to collaborate and review audio and video work in progress. For filmmaking teams, client reviews, producer and director notes. ----------------------------------- Vashi's company Vashi Visuals has provided post-production workflow and consulting services for numerous films including Gone Girl directed by Davi...
August 17, 2019, 08:42 AM
https://www.provideocoalition.com/virtual-producti...
In an age of dizzying technological churn, it’s hard to know which emerging fringe tech is worth paying attention to. Not so with virtual production: Anyone who’s experienced it can instantly see where things are headed. So what exactly is it, and when will you—the Indie filmmaker—be able to get your hands on it? ... The post Virtual Production: It’s the future you need to know about appeared first on ProVideo Coalition.
August 17, 2019, 08:41 AM
https://postperspective.com/true-detectives-quiet-...
By Jennifer Walden When there’s nothing around, there’s no place to hide. That’s why quiet soundtracks can be the most challenging to create. Every flaw in the dialogue — every hiss, every off-mic head turn, every cloth rustle against the body mic — stands out. Every incidental ambient sound — bugs, birds, cars, Continue reading → August 16, 2019 The post True Detective’s quiet, tense Emmy-nominated sound appeared first on postPerspective.
August 17, 2019, 08:41 AM
https://www.studiodaily.com/2019/08/visual-effects...
The Visual Effects Society said it plans to recognize FotoKem Chief Strategy Officer Mike Brodersen, VFX supervisor Michael Fink, and former member of VES leadership Susan Thurmond O’Neal with special awards at a reception in October. O’Neal, who joined VES in the late 1990s, will be given the 2019 VES Founders Award for sustained contributions […] The post Visual Effects Society Names Special Award Recipients, Hall of Fame Inductees appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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