To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Recording Foley Sound Effects For “The Night Man

September 29, 2017, 06:59 AM

http://designingsound.org/2017/09/recording-foley-...

Audient recently published an exclusive behind the scenes video of the foley recording process for the TV show “The Night Manager”.  

Keying Methods for Easily Removing Backgrounds Fro

September 28, 2017, 02:04 PM

http://lesterbanks.com/2017/09/keying-removing-bac...

ActionVFX’s Rodolphe Pierre-Louis Covers Foundational Methods for Keying Out White and Black for Stock VFX Clips Rodolphe Pierre-Louis,  the CEO of ActionVFX covers a few different ways that users can properly key out a black The Post Keying Methods for Easily Removing Backgrounds From Stock Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

Pro Media Tools 1.6.1 - new Auto Transfer metadata

September 28, 2017, 02:04 PM

http://www.digitalrebellion.com/blog/posts/pro_med...

Last week we released Pro Media Tools 1.6.1, a minor update to our suite of media management tools for video professionals. New List metadata type in Auto Transfer Our camera offloading tool Auto Transfer now has a new metadata type - List. This allows you to specify a series of items, separated by commas, and force the user to choose one of these without being able to enter custom values. I use this in my workflows to send video and audio to different folders. Additionally in Auto Tr...

Super Lines in After Effects Lets You Easily Creat

September 28, 2017, 02:04 PM

http://lesterbanks.com/2017/09/super-lines-complex...

A New After Effects Script Lets You Create Line Animations for Transitions and Mo-Graph Bits After Effects makes it fairly easy to work with line animations through shape layers and animators. As Motion Designers, we The Post Super Lines in After Effects Lets You Easily Create Complex Line Animations originally appeared and published on %%BLOGLINK%,by lesterbanks

*Toro Salvaje*, por Thelma Schoonmaker (ACE)

September 28, 2017, 07:18 AM

http://saeditores.org/Novedades/Toro-Salvaje-por-T...

En el marco del Edit Fest NY2010, la célebre editora de Martin Scorsese, Thelma Schoonmaker (ACE) recuerda cuál fue la escena más complicada que alguna vez tuvo que montar: una improvisación entre Robert De Niro y Joe Pesci en Toro Salvaje (1980), y explica cómo su experiencia en la edición de documentales la ayudó a salir airosa en esa oportunidad. Al mismo tiempo, devela las pautas y estrategias con las que habitualmente Scrosese trabaja este tipo de escenas.

Behind the Title: Artist Jayse Hansen

September 28, 2017, 07:18 AM

http://postperspective.com/behind-title-artist-jay...

NAME: Jayse Hansen COMPANY: Jayse Design Group CAN YOU DESCRIBE YOUR COMPANY? I specialize in designing and animating completely fake-yet-advanced-looking user interfaces, HUDs and holograms for film franchises such as The Hunger Games, Star Wars, Continue reading → September 27, 2017 The post Behind the Title: Artist Jayse Hansen appeared first on Randi Altman's postPerspective.

SEVEN SISTERS: VFX Breakdown by Benuts VFX

September 28, 2017, 07:17 AM

http://www.artofvfx.com/seven-sisters-vfx-breakdow...

Belgian studio Benuts VFX presents their work on SEVEN SISTERS...

Rogue One: A Star Wars Story VFX Breakdown

September 28, 2017, 07:17 AM

http://www.cgmeetup.net/home/rogue-one-a-star-wars...

ILM – This full-length reel represents a sample of the work created for over 1750 shots by hundreds of artists, scientists, and engineers around the world.

Alien Covenant Medbay VFX Breakdown

September 28, 2017, 07:17 AM

http://www.cgmeetup.net/home/alien-covenant-medbay...

MPC – Warning explicit content! – Take a look at MPC’s incredible but grotesque FX and creature work on the Medbay sequence for Alien Covenant.

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