It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 13, 2021, 08:43 AM
https://www.redsharknews.com/raw-workflows-and-com...
Replay: There was a time when “raw” meant a recording of the unaltered brightness values from a sensor. It tended to mean “uncompressed” too, although even by 2002 there was already compressed raw in the guise of CineForm. Now, there are lots of choices for both compressed and uncompressed raw recording, and a lot of people trying to push the idea that any kind of raw represents a huge technical challenge.
September 13, 2021, 08:43 AM
https://www.screeneditors.com.au/sundowners-lockdo...
This Sunday, 19 September, at 3pm AEST the ASE is holding an online Sundowners for Editors and Assistants across the country to meet-up and discuss how we’ve all been handling lockdown in all its variations. As an icebreaker we’ll briefly discuss the classic Aussie film 'Cosi', edited by Nicholas Beauman ASE. (If you haven’t seen […]
September 13, 2021, 08:42 AM
http://www.philiphodgetts.com/2021/09/amplifying-e...
I frequently get asked if I think there will ever be AI “Automated Editing.” It’s somewhat of a moot point, as there is already a whole lot of automated editing going on! It’s been going on for a long time. In an April 2016 blog post I wrote of four automated editing tools already in […] The post Amplifying Editing first appeared on The present and future of post production business and technology.
September 13, 2021, 08:42 AM
https://www.premiumbeat.com/blog/5-easy-to-use-ani...
Are your animation skills lacking? Don't fret. Bring your ideas to life with our five favorite easy-to-use animation apps.
September 13, 2021, 08:41 AM
https://beforesandafters.com/2021/09/13/the-mandal...
The winners of the Television Academy Emmy awards relating to visual effects have been announced, and the recipients were The Mandalorian for Outstanding Special Visual Effects In a Season or a Movie, and Star Trek Discovery for Outstanding Special Visual Effects In A Single Episode. The winners of the Television Academy Emmy awards relating to visual effects have been announced, and the recipients were The Mandalorian for Outstanding Special Visual Effects In a Season or a Movie, and Star Trek ...
September 9, 2021, 12:45 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced the global hit documentary “Playing With Sharks: The Valerie Taylor Story” used Cintel Scanner C-Drive HDR to digitize hundreds of hours of archival footage shot of and by the famous underwater naturalist and filmmaker Valerie Taylor.
#blackmagic design#davinci resolve studio#cintel scannerSeptember 9, 2021, 08:41 AM
https://postperspective.com/avocados-coconuts-edit...
Amanda Rivera is an editor at Avocados & Coconuts, a San Francisco-based production and post company. She works on traditional 30-second and 60-second spots, long-form and short-form narratives as well as brand content. “Basically, I’m editing a wide variety of content,” she says, adding, “our job is to make an edit feel so real, Continue reading → September 8, 2021 The post Behind the Title: Avocados & Coconuts Editor Amanda Rivera appeared first on postPerspective.
September 8, 2021, 08:25 AM
https://tonebenderspodcast.com/172-the-sound-of-fr...
In this episode we talk with Craig Henighan (Supervising Sound Editor/SFX Re-Recording Mixer), Paul Massey (Dial/Music Re-Recording Mixer) and Ryan Cole (Dialog Supervisor) from the…
September 7, 2021, 08:35 AM
https://lesterbanks.com/2021/09/how-to-create-a-fr...
Armin Lotfi shows how to generate icicles on a model in Houdini. This new tutorial from Motion Designer and 3D Artist Armin Lotfi shows how to generate a different crystallization effect in Houdini – Making icicles appear on geometry.
September 7, 2021, 08:34 AM
https://www.bobbieosteen.com/2021/09/listen-to-my-...
Listen here.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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