To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Episode 0052 – Interview with Elisabet Ronaldsdóttir
September 7, 2021, 08:34 AM
https://cceditors.ca/2021/09/07/episode-0052-inter...
Episode 52: Interview with Elisabet Ronaldsdóttir In this episode Sarah Taylor sits down with Elisabet Ronaldsdóttir. Elisabet has a killer film resume and has cut many much loved action films – Atomic Blond, John Wick and Deadpool 2 to name a few. This month she has two new films coming out – Marvel’s latest SHANG-CHI […] The post Episode 0052 – Interview with Elisabet Ronaldsdóttir appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.
How ILM made Alligator Loki
September 3, 2021, 09:07 AM
https://beforesandafters.com/2021/09/03/how-ilm-ma...
The moment viewers laid their eyes on Alligator Loki in the MCU streaming series, they were hooked. An ILM CG creature, the Loki variant is seen as part of a ragtag group of variants stuck in the Void.
Getting Started With UV Mapping in Maya
September 2, 2021, 08:47 AM
https://lesterbanks.com/2021/09/getting-started-wi...
MeshMen Studio covers UV mapping and editing in Maya with this excellent guide for beginners. UVs in 3D can be a bit of a stumbling block for new users. With a bit of practice and some fundamental
Crossing the 180 with Netflix Documentary Filmmakers of “Pray Away”
September 2, 2021, 08:47 AM
https://www.provideocoalition.com/crossingthe180-p...
In today’s episode of Crossing the 180, Ron speaks with the filmmakers behind the Blumhouse Pictures and Ryan Murphy executive-produced Netflix documentary Pray Away. This is a powerful documentary about the conversion therapy movement in the evangelical church. Essentially the campaign helps “cure” members of LGBTQ+ community. Producer Jess Devaney of Multitude Films and writer/director [...]Read More...
Improving Upon Original Stop Motion Animation Film
September 1, 2021, 09:32 AM
https://www.youtube.com/watch?v=qxwaV7NEa6Y
Aside from motion blur I also masked out people from the shots with monsters in them (where doable). I did this in later videos, but I hadn't done this for my earlier stop-motion animation videos. So you'll see a mix of 24 fps people and 60 fps monsters + motion blur. Hopefully this will reduce that soap opera effect.
Cannes Film Festival Grand Prix Winner Amongst Films Completed with DaVinci Resolve
September 1, 2021, 09:22 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design has today announced that Compartment No. 6 (Hytti nro 6) was amongst the films at this year’s Cannes Film Festival to be graded on DaVinci Resolve.
#blackmagic design#davinci resolve#davinci resolve studioPrevent Hard Audio Cuts with Natural Reverb
August 31, 2021, 08:56 AM
https://www.premiumbeat.com/blog/add-natural-rever...
Learn how to add natural reverb to the end of a music cut using Adobe Premiere Pro and Audition in this easy-to-follow video tutorial.
The Boys: Inside the Emmy-nominated soundtrack
August 31, 2021, 08:56 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Amazon Original’s The Boys is about a group of vigilantes who set out to take down corrupt superheroes that abuse their powers. The series is nominated for five Emmys, including outstanding “Drama Series”, “Writing For A Drama Series”, “Special Visual Effects In A Season Or A Movie”, “Sound Mixing For A Comedy Or Drama Series” and “Original Music And Lyrics”.
Why No Time to Die and others are still using film in a digital world
August 31, 2021, 08:56 AM
https://www.redsharknews.com/why-no-time-to-die-an...
On September 30th, after many delays, No Time to Die will hit UK cinemas. The 25th James Bond movie was shot on celluloid, making it part of a small group of productions that choose to keep using the traditional medium despite digital becoming the dominant acquisition format in 2013.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.