To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Halloween (1978) — Art of the Title

October 29, 2020, 12:49 PM

https://www.artofthetitle.com/title/halloween-1978...

John Carpenter’s menacing theme for Halloween sends some into a panic and some smiling. Composed and performed by the man himself, Carpenter’s influences were Bernard Herrmann and Ennio Morricone, with whom Carpenter worked on The Thing. The opening sequence shares some similarities with a film that Carpenter adores, Roy Ward Baker’s Quatermass and the Pit.

Mercedes-AMG Shot with Pocket Cinema Camera 6K

October 28, 2020, 02:28 PM

https://www.aotg.com/mercedes-amg-shot-with-pocket-cinema-camera-6k/

Blackmagic Design today announced that a social media campaign for the Mercedes-AMG A-Class was shot with Blackmagic RAW on the Pocket Cinema Camera 6K, with editing and grading completed with DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 6k
Samantha Uber moves from Deluxe to Goldcrest Post

October 27, 2020, 01:02 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Samantha Uber has joined Goldcrest Post as conform artist/manager of workflow services and senior finishing editor. She will work with film and television clients in designing customized workflows to manage projects from the set through delivery, and will also act as a hands-on finishing editor. 

100+ Hot FREE Assets for Your Next Video Project

October 26, 2020, 07:36 PM

https://www.premiumbeat.com/blog/free-assets-for-v...

I think we can all agree that one of the most tedious (and annoying) things you can do as a video editor is take time (that you don’t have) to create assets yourself. Sure, we’re always going to need them, but we rarely have the budget or creative energy to make them ourselves. And that’s pretty much why PremiumBeat’s annual Free Week exists — to save you time and money.

Finishing Editor and Workflow Specialist Samantha

October 26, 2020, 07:35 PM

https://news.creativecow.net/story/902010

(New York, NY--October 26, 2020) Goldcrest Post is joined by Samantha Uber as Conform Artist/Manager of Workflow Services and Senior Finishing Editor. Uber will work with film and television clients in designing customized workflows to manage projects from the set through delivery. She will also act as a hands-on finishing editor. She arrives from Deluxe Entertainment, New York, where her credits included the series HIGH MAINTENANCE, THE KNICK AND MR. ROBOT, and the features HUSTLERS, A BEAUTIFU...

Art Of The Cut Podcast Eps. 70 (“Charm City King

October 22, 2020, 12:40 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

10 FREE Motion Graphics Templates for Premiere Pro

October 21, 2020, 12:26 PM

https://www.premiumbeat.com/blog/free-motion-graph...

With these FREE animated motion graphics templates for Premiere Pro, you can add some eye-catching animated titles to your edits — quickly and easily.

Adobe Max 2020: What’s New in Premiere and After

October 21, 2020, 12:25 PM

https://postperspective.com/adobe-max-2020-whats-n...

By Brady Betzel Even a pandemic can’t stop Adobe from updating its Creative Cloud apps. This year’s Adobe Max is even more special because for the first time it is completely free! From the famed writer/director/powerhouse Ava DuVernay to director Taika Waititi to one of my favorite Twitter follows, stop-motion animator Kevin Parry (@kevinbparry), Continue reading → October 20, 2020 The post Adobe Max 2020: What’s New in Premiere and After Effects appeared first on postPerspective.

ART OF THE CUT WITH the Luis Carballar, editor of

October 21, 2020, 12:25 PM

https://www.provideocoalition.com/aotc-charm-city-...

Today, we’re talking with Luis Carballar. I asked Art of the Cut fans who I should interview and his name came up from several people who cited his work on the TV series Narcos. Luis – who started cutting TV spots – has cut numerous feature films including Amores Perros, The Devil’s Double, Sin Nombre, [...]Read More...

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