To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Blackmagic Design Announces DaVinci Resolve 17

November 10, 2020, 03:26 PM

https://www.aotg.com/blackmagic-design-announces-davinci-resolve-17-2/

Over 300 new features including HDR grading, AI magic mask, improved Fairlight usability, improved editing and much more!

#blackmagic design#davinci resolve studio
Adobe and Avid Collaboration under one Platform

November 8, 2020, 02:46 PM

https://www.youtube.com/watch?v=JJEi1GViZ64

Discover Avid and Adobe partnership enabling seamless cross platform collaboration and how Premiere Pro users - from digital teams, to production teams, to marketing teams - can seamlessly ingest, search, edit, and share content in Avid production environments. ▶️ https://www.avid.com/adobe Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechn...

Behind the Scenes with Veteran Editor Andy Canny

November 8, 2020, 02:46 PM

https://www.youtube.com/watch?v=MVT8hw3zcds

With nearly 30 years' experience in film, television and advertising veteran editor Andy Canny takes you to behind the scenes of "The Invisible Man" to discover what makes the edit, how he met some of the technical and narrative challenges of the post-production process, and tools he uses to best serve the story. ▶️ https://www.avid.com/media-composer Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.c...

Blackmagic Design Announces Post Production Update

November 6, 2020, 03:45 PM

https://www.aotg.com/blackmagic-design-announces-post-production-update/

Blackmagic Design today announced it will hold a live stream on Monday, November 9th, 2020 at 10:00 AM PDT to provide new developments in its post production products. Held by CEO and cofounder Grant Petty, the stream will be available from Blackmagic Design’s website, as well as on the company’s YouTube and Facebook pages.

#blackmagic design
Understanding and Implementing Plot Structure for

November 1, 2020, 01:15 PM

https://www.premiumbeat.com/blog/plot-structure-fo...

Let's explore the fundamentals of story and plot structure and how filmmakers can use these basics to create their own narratives.

How Editor Jean Tsien, ACE Redesigned The Opening

November 1, 2020, 01:15 PM

https://www.youtube.com/watch?v=BmYfDJqWWFg

In this video, editor Jean Tsien, ACE explains how she convinced the director of the documentary "Plastic China" to embrace a more visually compelling opening for the film, rather than immediately confronting the audience with the horrors he had captured right up front. About Jean Tsien, ACE: Jean has been working in documentary for 35 years as an editor, producer, and consultant. Her notable editing credits include the 2001 Academy Award nominee, "Scottsboro: An American Tragedy"; th...

Le montage, technique et esthétique #11

October 31, 2020, 04:12 PM

https://journaldunemonteuse.wordpress.com/2020/10/...

Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 Les lieux, les techniques et les moyens de diffusion des œuvres audio-visuelles ne se résument plus aujourd’hui simplement aux écrans de télévision ou de cinéma. On peut produire … Lire la suite →

Drive – Postlab’s Virtual Storage Volume

October 31, 2020, 04:12 PM

https://digitalfilms.wordpress.com/2020/10/29/driv...

Postlab is the only service designed for multi-editor, remote collaboration with Final Cut Pro X. It works whether you have a team collaborating on-premises within a facility or spread out at various locations around the globe. Since the initial launch, Hedge has also extended Postlab’s collaboration to Premiere Pro. When using Postlab, projects containing Final […]

ART OF THE CUT WITH Alan Baumgarten, ACE on editin

October 31, 2020, 04:12 PM

https://www.provideocoalition.com/aotc-the-trial-o...

Today we’re talking with Alan Baumgarten, ACE who recently edited The Trial of the Chicago 7, which was written and directed by Aaron Sorkin. Alan was nominated for his first ACE Eddie in 1997. He won an ACE Eddie and an Emmy for Recount. He won an ACE Eddie and was nominated for an Oscar [...]Read More...

The Cinematography of The Haunting of Bly Manor

October 30, 2020, 02:00 PM

https://www.aotg.com/the-cinematography-of-the-haunting-of-bly-manor/

Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people in the background, lighting an entire episode with candles, and more!

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