It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 3, 2014, 01:25 PM
http://variety.com/2013/digital/news/dolby-high-dy...
The Ultra-High-Definition 4K TV train is leaving the station, so to speak, and woe to any content provider or TV maker who isn’t on board.
January 3, 2014, 09:53 AM
http://www.prnewswire.com/news-releases/sound-unit...
VISTA, Calif., Jan. 3, 2014 /PRNewswire/ -- Sound United, a company that supports and curates a diverse portfolio of audio brands, today announced that Randy Waynick has joined the company as Chief Sales Officer. With 28 years of industry experience, Waynick will oversee the strategic direction and execution of the company's global sales operations for its three audio brands, Definitive Technology, a 25-year veteran in the high-end home audio space; Polk, an audio brand with more than 40 years o...
January 2, 2014, 11:04 AM
http://www.hypebot.com/hypebot/2014/01/are-clueles...
SoundCloud’s content ID, implemented due to pressure from record labels, incorrectly flagged one of my uploads as infringing material. As a paying customer and huge fan of SoundCloud I am fearful clueless labels may be senselessly setting a precedent that will destroy the web’s best music platform and community for independent artists. Not to mention cost labels profits, fans and perhaps create a backlash against record labels altogether – who as overly litigious middlemen could be irrelev...
January 2, 2014, 11:04 AM
https://www.aotg.com/how-to-record-an-acoustic-guitar/
Gear manufactures tend to produce videos showing how to use their products. I find these very helpful for a number of reasons. The videos show you how to get the most from the actual product however you can also take this training and apply it to other gear or software. In this video Apogee shows you some basic methods on how to record an acoustic guitar.
December 31, 2013, 11:50 AM
http://provideocoalition.com/atepper/story/beachte...
For part 2 of the Beachtek DXA-SLR PRO audio interface review, I got together with Ríchard Izarra in one of his extremely brief visits to Miami to test audio with his new Blackmagic Pocket Cinema Camera. Ahead you’ll see (and hear) a brief audio/video clip.
December 30, 2013, 04:36 PM
http://www.studiosystemnews.com/awards-spotlight-t...
Brent Burge has been in the film industry for close to three decades, and in that time he’s worked in the sound department on dozens of projects. He hooked up with Peter Jackson in the mid-‘90s and has worked with the Kiwi auteur ever since, on the Lord of the Rings trilogy, King Kong, Lovely Bones, and now on a pair of Hobbit films. With his work as supervising sound editor on Desolation of Smaug, he hopes to garner his first Oscar nomination.
December 30, 2013, 04:35 PM
http://postperspective.com/2013/12/meet-the-sound-...
NAME: Scott Gershin COMPANY: Formosa Group, Formosa Interactive (www.formosagroup.com) CAN YOU DESCRIBE YOUR COMPANY? A consortium of veteran audio post production specialists who work in the movie, game industry. WHAT’S YOUR JOB TITLE? I am a sound supervisor/sound designer for feature films, and executive creative director of Formosa Interactive. WHAT DOES THAT ENTAIL? I work […]
December 30, 2013, 04:33 PM
http://www.askaudiomag.com/articles/best-of-2013-t...
Once upon a time MIDI controllers consisted of flimsy keys & a mod wheel... maybe. How times have changed! So, with so many quality options available, which one will best suit your needs?
December 30, 2013, 05:41 AM
https://www.aotg.com/the-sound-of-inside-llewyn-davis/
In this video, directors Joel and Ethan Coen explain how their collaboration with T Bone Burnett created a musical sound that was as important as dialogue in capturing the early ’60s folk music scene in Inside Llewyn Davis. Here, they explain how they and Oscar Isaac pulled it off in the CBS Films release. I had the opportunity to moderate a panel in Deadline’s Contenders Event last month.
December 29, 2013, 02:26 PM
http://www.deadline.com/2013/12/oscars-sound-editi...
“Silences can be more frightening than noise,” says Glenn Freemantle, sound designer and supervising...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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