To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The 15 Best Soundtracks Of 2013

December 11, 2013, 10:39 AM

http://blogs.indiewire.com/theplaylist/the-15-best...

Some people--a convenient straw man, for instance--might argue that the days of the movie soundtrack are numbered. “From & Inspired By The Motion Picture” releases are less and less common, it's hard to find music videos for specially written singles that feature footage from the movie in the way that was so common in the 1990s (thank God), and in the iTunes and YouTube era, you can find the one song that you love from a movie without needing to pick up a whole CD of stuff you don't care abo...

Audio-Technica - AMA

December 11, 2013, 05:34 AM

http://www.avnetwork.com/av-technology/0002/audio-...

Audio-Technica has made available online the "Ask Me Anything" (AMA) sessions the company hosted at the 135th AES Convention in New York, NY.

The Art of ADR Explained by Doc Kane

December 11, 2013, 05:34 AM

http://www.mentorless.com/2013/12/11/art-adr-expla...

ADR stands for Automatic Dialog Replacement, and is mainly used when dialogs recorded on set are not working, but also to record all the voices for animations.

Qube Cinema Servers Support Dolby Atmos

December 10, 2013, 07:51 PM

http://www.creativeplanetnetwork.com/the_wire/2013...

XP-D and XP-I D-Cinema Servers Integrate New Cinema Audio Format CineAsia, December 10-12, 2013, Booth 401 Hong Kong: Dec. 10, 2013... Qube Cinema has been licensed to support Dolby(r)...

Contenders – Sound Mixers Skip Lievsay, Peter Ku

December 10, 2013, 10:58 AM

http://www.btlnews.com/awards/contender-portfolios...

Supervising editor/re-recording mixer, Skip Lievsay, and production sound mixer, Peter Kurland, have been working with Ethan and Joel Cohen since their first film. Mixer Greg Orlof joined the team on O Brother, Where Art Thou? The long-term working relationships on the brothers’ films are a major benefit to his working in the industry, according to Lievsay. “They’re my friends. We’ve been through a lot together. We’ve had good times and some bad times and we’re all the better for...

Effective Workflow Tactics for Remote Clients

December 10, 2013, 05:36 AM

http://designingsound.org/2013/12/effective-workfl...

The process of working on a collaborative process can be riddled with logistical headaches. Miscommunications, lack of clarity in project goals, last minute revisions, and just bad luck/circumstances can lead any project down a path of frustration. These problems become more apparent when the element of remote/online/virtual collaboration is added, which relies on more indirect forms of communication (e.g. voice mail, email, instant messaging).

Masters Q/A Series, Part 2 - Dialogue Mixing

December 10, 2013, 05:34 AM

http://news.creativecow.net/story/873869

(Cambridge, Massachusetts--December 9, 2013) Stephen Tibbo is one of Hollywood's top production and post production sound engineers. Having earned two Emmy® Awards and a CAS Award for “Best Production Sound” through his association with the hit...

Todd-Soundelux and 424 Post join forces

December 9, 2013, 02:22 PM

http://postperspective.com/2013/12/todd-soundelux-...

HOLLYWOOD — Post production sound company Todd-Soundelux has entered into a multi-year strategic relationship with Culver City-based 424 Post. As part of this agreement, Sean McCormack and Kami Asgar of 424 Post will join Todd-Soundelux as supervising sound editors, including the addition of their creative team comprised of Tim Tuchrello; Erin Oakley; Benjamin L. Cook; […]

Todd-Soundelux in ‘Strategic Relationship’ wit

December 9, 2013, 02:22 PM

http://www.studiodaily.com/2013/12/todd-soundelux-...

Todd-Soundelux today announced a "multi-year strategic relationship" with 424 Post that will have the team at 424 Post joining Todd-Soundelux, including Supervising Sound Editors Kami Asgar and Sean McCormack (pictured, top) as well as their 424 cohorts Tim Tuchrello, Erin … more »

Veteran ADR Mixer Doc Kane of Walt Disney Studios

December 9, 2013, 11:29 AM

https://www.aotg.com/veteran-adr-mixer-doc-kane-of-walt-disney-studios/

SoundWorks Collection profiles veteran ADR mixer Doc Kane at Walt Disney Studios in Burbank, CA to explore his extensive project credits and unique approach to capturing some of Hollywood’s most talented voices.

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