It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 11, 2015, 12:34 PM
https://www.aotg.com/william-goldenberg-ace-discusses-restructuring-sc/
William Goldenberg, ACE, has more than twenty film and television credits since 1992. He won the Academy Award for Film Editing for the film Argo, and has been nominated for "The Insider," "Seabiscuit," "Zero Dark Thirty," and "The Imitation Game." He has also received nominations for nine other editing-related awards.
September 11, 2015, 12:34 PM
Fusion Compositing for Editors Lesson 2Cast: Alan BellTags: Fusion 8, Composting and Editors
September 11, 2015, 09:53 AM
https://www.aotg.com/whiplash-close-up-between-frames/
One of the reasons that Whiplash has such a strong impact on its audience is the relationship between quick close ups and long wide shots used. The quick close up shots mimic the way that humans see and even remember things and by doing so places the audience onto Andrew Neimann's drum stool, feeling physically beaten as the drums and mentally beaten as the drummer. This video takes all of the close ups from Whiplash and combines them into one experience, emphasizing this feeling.
September 11, 2015, 05:40 AM
https://news.creativecow.net/story/879697
(Amsterdam, The Netherlands--September 11, 2015) IBC Conference, Hall 7, Stand 7.A04 (September 11, 2015) — ProMAX Systems, world leader in integrated workflow technology for creative media organizations, today announced Platform 1000 Workflow Server, a High-Performance shared storage system with built in native Avid Project Sharing (Bin Locking), Transcoding, Rendering and Asset Management.
September 10, 2015, 04:29 PM
https://digitalfilms.wordpress.com/2015/09/10/auto...
Automatic Duck invented timeline translations between applications. Necessity is the mother of invention, leading Wes Plate, an Avid Media Composer editor who tackled compositing in Adobe After Effects, to team with his programmer father, Harry. The goal was to design a tool to get Avid timelines into After Effects compositions. Automatic Duck grew from this […]
September 10, 2015, 03:52 AM
http://www.fitnessinpost.com/48/
“How do I transition from reality to scripted?” is the most common question I get, and this show was designed to help you answer that very question. Monica Daniel has edited various genres of television that have been broadcast worldwide over the last decade. She is known for her “sh*tting sparkles” slogan from her award show red carpet work. She recently transitioned from editing reality television into a high level scripted network show, and our conversation today breaks down her journ...
September 10, 2015, 03:50 AM
https://www.aotg.com/premiere-pro-in-under-5-min-punching-up-a-night-s/
In this third installment of Premiere Pro in Under 5 Minutes, master Adobe trainer Abba Shapiro shows you how to get more punch from a night skylapse. Using footage of a meteor shower, Abba uses the Shadow/Highlight and Luma Corrector effect to achieve the look he's after.
September 9, 2015, 12:56 PM
http://renderplease.com/post/128712458370
AEs are like:
September 9, 2015, 09:08 AM
http://lesterbanks.com/2015/09/focus-for-after-eff...
Focus is a one-stop panel to solo and restore layers from the layer panel and the viewer in After Effects The Post Focus for After Effects, Offers Streamlined Timeline and View Management originally appeared and published on %%BLOGLINK%,by lesterbanks
September 9, 2015, 04:49 AM
http://alex4d.com/notes/item/new-york-times-vertic...
Justin Bieber’s new song is number in the UK. The New York Times has made an 8-minute video about how “Where Are Ü Now” was made. It was conceived from the start as a video that works in more than one aspect ratio. Human interface experts NiemanLab have written a ‘making of’ abut this ‘making of’: Unsurprisingly, the combination of Bieber and The Grey Lady turned some heads. But the Times’ video is interesting for another reason — it was designed from the beginning to ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.