To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Darren Rae named head of color at Cinelab London

August 18, 2021, 09:07 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

LONDON — Cinelab London (www.cinelab.london), the full-service film laboratory and digital dailies facility, has hired Darren Rae as head of color. Rae has spent more than 25 years collaborating with directors and cinematographers on numerous blockbusters, independent features and long-form series.

Application Color Management

August 2, 2021, 10:49 AM

https://digitalfilms.wordpress.com/2021/08/01/appl...

I’m previously written about the challenge of consistent gamma and saturation across multiple monitoring points. Getting an app’s viewer, QuickTime playback, and the SDI output to all look the same can be a fool’s errand. If you work on a Mac, then there are pros and cons to using Mac displays like an iMac. In […]

Color Grading and Career Advice with "Mad Max: Fury Road" Colorist Eric Whipp

July 23, 2021, 08:42 AM

http://manhattaneditworkshop.blogspot.com/2021/07/...

Colorist Eric Whipp joined Gordon Burkell to answer questions about Mad Max: Fury Road, Color Correction, and give career advice.  Eric talks about his workflow while working remotely, as well as the delicate balance of working with clients.  If you want to learn more directly from Eric on his processes, his insights and his vast amount of experiences; check out our online class with Eric here.Eric Whipp was born in Auckland, New Zealand, and raised in Australia.  He became a colorist in...

Color Grading Jaguar-Poaching Documentary Tigre Gente

July 23, 2021, 08:41 AM

https://postperspective.com/color-grading-jaguar-p...

Goldcrest Post in New York City has provided post services for Tigre Gente, director Elizabeth Unger’s feature documentary about jaguar trafficking. Senior colorist Steve Beganyi worked with Unger to finalize the look of the film, which shows how the Latin American animal is being hunted to extinction to satisfy illegal demand for its teeth and other artifacts in distant parts of the world. Continue reading → July 22, 2021 The post Color Grading Jaguar-Poaching Documentary Tigre Gente...

Inside the World of Color with Acclaimed Colorist Stephen Nakamura

July 16, 2021, 08:57 AM

http://manhattaneditworkshop.blogspot.com/2021/07/...

Colorist Stephen Nakamura spoke with Filmmaker U to talk about his prolific career. His feature film credits include Da Five Bloods, Sicario: Day of the Soldado, It: Chapter Two, Crazy Rich Asians, The Martian, Alien: Covenant and many more blockbuster epics and award winners.Among the most accomplished feature film colorists in Hollywood, Stephen Nakamura has worked alongside directors such as David Fincher, Ridley Scott, Kathryn Bigelow, Spike Lee, David O. Russell, and Steven Spielberg, as...

How Guillermo del Toro Uses Color, Objects, and Trauma in His Films

July 13, 2021, 09:17 AM

https://www.premiumbeat.com/blog/guillermo-del-tor...

A look into the thematic filmmaking techniques used (and mastered) by Oscar-winning director Guillermo del Toro. I distinctly remember the first time I saw a Guillermo del …

Athénée Français Culture Center Uses Cintel Scanner for Film Archiving and Restoration

June 30, 2021, 11:09 AM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design announced today that Athénée Français Cultural Center, Ltd. used Blackmagic Cintel Scanner for digitizing 35mm and 16mm films. Athénée Français used the Cintel Scanner with DaVinci Resolve Studio for the scanning and restoration of decades old animation and art films.

#blackmagic design#ultrastudio 4k#davinci resolve studio#cintel scanner#davinci resolve mini panel#teranex av#atem television studio#smartscope duo#smartview hd#ultrastudio hd mini#ultrastudio 3g#hyperdeck studio
Harbor Beefs Up Color Team With Color Scientist CJ Julian

June 30, 2021, 09:04 AM

https://postperspective.com/harbor-beefs-up-color-...

Harbor has added color scientist CJ Julian who comes to the post studio with 15 years of experience in film and TV production. With a background as a lighting technician and cinematographer, Julian transitioned to imaging scientist for Efilm/Deluxe Digital Services. His credits include Looper, Now You See Me and Caesar Chavez. Continue reading → June 29, 2021 The post Harbor Beefs Up Color Team With Color Scientist CJ Julian appeared first on postPerspective.

ICA Podcast Maxine Gervais

June 9, 2021, 09:13 AM

https://icolorist.com/podcast-s3-ep07-maxine-gerva...

Season 3 of the Color Tour Podcast has been renamed ‘Not on Tour.’ I cannot travel so the CT Podcast is being conducted on ZOOM. I talked to Maxine in her DI theatre at Picture Shop during a break in sessions.

Toyotaro Shigemori’s niko and … WINTER BOOK Shot on URSA Mini Pro 12K

June 2, 2021, 12:12 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that renowned cinematographer, Toyotaro Shigemori, used Blackmagic URSA Mini Pro 12K to shoot the web movie “niko and … WINTER BOOK.” The film, which was created as part of an ad campaign for the fashion/lifestyle brand “niko and …” was also graded using DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 4k#ursa mini pro 12k
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