To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Better Colour Grading in Black and White

August 14, 2015, 01:34 AM

http://jonnyelwyn.co.uk/film-and-video-editing/coo...

PIck up some great tips on better colour grading in black and white in this round up of DaVinci Resolve tutorials

#black and white#better colour grading#red epic monochrome
LUTCalc: Trials, errors, and a full-range LC709A L

August 13, 2015, 04:25 PM

http://www.provideocoalition.com/lutcalc-trials-an...

After much experimentation, and a bit of failed hacking, I've come up with a good full-range Cine-EI LUT for Sony FS7/F5/F55. Read on, and download it and the end of the article...

Creating a Dream-like Scene with BCC for Resolve

August 13, 2015, 05:33 AM

http://bmcc.tv/creating-a-dream-like-scene-with-bc...

Jason Bowdach from LA-based Cinetic Studios quickly shows Resolve users how to create an ethereal scene using BCC Magic Sharp, BCC Film Glow & BCC Lens Blur inside Continuum Complete for Resolve. Plus, great tips on Resolve and workflow.

Color Correction in AE

August 13, 2015, 05:31 AM

https://www.aotg.com/color-correction-in-ae/

Take a look at this introductory tutorial called "Color Correction in After Effects" where you'll learn the basics of color correction principles and apply that knowledge to an explosion sequence! For more information, please see the links and details below.

DaVinci Resolve 12: Colour Tools for Editors

August 12, 2015, 05:39 AM

http://www.redsharknews.com/post/item/2786-blackma...

Eric Escobar looks at some of the new automatic colour grading tools in Resolve 12 that promise to usher in a whole new world of ‘editor-friendly’ grading...whether editors like it or not. Blackmagic DesignBlackmagic Davinci Resolve

Thinkbox Deadline Users Will Soon Be Able to Pay f

August 12, 2015, 05:38 AM

http://www.studiodaily.com/2015/08/deadline-users-...

At SIGGRAPH, Thinkbox said that users of Deadline v8.0, which is now essentially in alpha tests, will be able to license the render management software on a timed-usage basis. Specifically, users will be able to pay for licenses by the hour. … more » The post Thinkbox Deadline Users Will Soon Be Able to Pay for Licenses by the Hour appeared first on Studio Daily.

Have a copy of my Resolve 12 Editorial menu/keyboa

August 11, 2015, 09:53 AM

http://www.provideocoalition.com/have-a-copy-of-my...

The much anticipated DaVinci Resolve 12 beta has become available for download and with it a host of new editing features to add on top of its industry leading color grading tools. Resolve made quite the lateral move into editorial features last year but Blackmagic has really upper their game with v.12. Like any editing tool you have to know the keyboard so I took some time to make an editorial keyboard cheatsheet to help learn it. You’re welcome to a copy.

Thinkbox at SIGGRAPH with cloud-enabled pipelines

August 11, 2015, 09:53 AM

http://postperspective.com/thinkbox-siggraph-cloud...

Thinkbox Software is showing off some new features from the upcoming new release of Deadline, a high-volume compute management solution that enables studios to link any combination of local and cloud-based resources into one logical pipeline. Currently entering beta testing, Deadline 8 will introduce on-demand metered licensing to work with both local and cloud-based farms alongside existing permanent and temporary licenses. Deadline 8 also adds a Proxy Server application that allows users ...

Technomax Installs DaVinci Resolve Studio

August 10, 2015, 10:34 AM

https://www.aotg.com/technomax-installs-davinci-resolve-studio/

Blackmagic Design today announced that Tokyo’s Technomax Inc. has built a new 4K production and post production studio using DaVinci Resolve Studio, Teranex Express and DeckLink 4K Extreme 12G, along with a number of other Blackmagic products.

#blackmagic design#production#4k#post production
Applying 3D LUTs to Rushes in Premiere Pro from Co

August 6, 2015, 11:46 PM

http://cinescopophilia.com/applying-3d-luts-to-rus...

1. Import the media by dragging the FCP 7 xml folder created by CDProResTransfer from the Finder into the Premier Project window. This creates a bin containing the clips, and brings in additional Odyssey metadata for each clip, including the name of the active LUT.

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