To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Lumetri plus SpeedGrade Looks

June 28, 2015, 07:43 AM

https://digitalfilms.wordpress.com/2015/06/28/lume...

Last year I created a series of Looks presets that are designed to work with SpeedGrade CC. These use Adobe’s .look format, which is a self-contained container format that includes SpeedGrade color correction layers and built-in effects. Although I specifically designed these for use with SpeedGrade, I received numerous inquiries as to how they could […]

Grading with LUTs: Cinema Colour II

June 28, 2015, 07:42 AM

http://fenchel-janisch.com/grading-with-luts-cinem...

We have been using color look up tables (LUTs) for over 18 months now. Using LUTs is an easy and fast way to grade footage.

Advanced Colorist Strageties with Resolve

June 27, 2015, 06:16 AM

https://events.creativecow.net/event/4015/ica-201-...

This class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.

Color Science, Explained (Part 1)

June 25, 2015, 04:03 PM

http://blogs.adobe.com/premierepro/2015/06/color-s...

  The theme of the 2015 release of Creative Cloud pro video tools is “Creativity just got a lot more colorful.” With color being such a hot topic at Adobe and beyond, we interviewed Lars Borg, Adobe’s resident color expert, to tell us more about color science and what filmmakers and video enthusiasts can take away from such a deep field. Stay tuned for Part 2, where we’re share key color science takeaways for working with video. Colors are a lot more than wavelengths on a spec...

Talking About Color in Black and White

June 25, 2015, 04:02 PM

http://blogs.adobe.com/conversations/2015/06/talki...

Quick — describe the color of the ocean to someone who’s never seen it. Can you do it? Is it blue? Green? Something in-between? Describing the qualities of light and color can be difficult — even for color professionals — because the way each person experiences light and color is subjective. Or to put it another way: Is the dress blue and black, or white and gold? Wired magazine discusses some of the science of light and color that drove the Great Dress Debate of 2015. This subjec...

Color Science, Explained (Part 1)

June 24, 2015, 11:38 PM

http://blogs.adobe.com/creativecloud/color-science...

The theme of the 2015 release of Creative Cloud pro video tools is “Creativity just got a lot more colorful.” With color being such a hot topic at Adobe and beyond, we interviewed Lars Borg, Adobe’s resident color expert, and asked him to tell us more about color science and (in Part 2) what filmmakers and video enthusiasts can take away from such a deep field. Colors are a lot more than wavelengths on a spectrum. There’s a whole scientific field dedicated to the understanding of c...

Grading RAW, LOG, and 709 Footage in Lumetri

June 21, 2015, 12:31 AM

https://www.aotg.com/grading-raw-log-and-709-footage-in-lumetri/

In this in-depth tutorial we'll take a look at how to do some basic grading and match different ...

Can You Grade A Whole Video in Lumetri?

June 21, 2015, 12:31 AM

https://www.aotg.com/can-you-grade-a-whole-video-in-lumetri/

I wanted to see what it's like to color grade a sequence in the new Adobe Premiere Lumetri Color Panel. Works pretty well!

Lumetri Color Panel explained - Premiere Pro CC 20

June 17, 2015, 04:37 AM

https://www.aotg.com/lumetri-color-panel-explained-premiere-pro-cc-20/

Explaining the new Lumetri color panel introduced to Premiere Pro CC 2015

ICA Colorist Training Survey 2015

June 16, 2015, 05:15 AM

http://www.sogosurvey.com/survey.aspx?k=RQsRPPXQsQ...

What classes do you like? Where do you want to see an ICA class? Which class would you like to see as an advanced class? What software would you like to learn? Online or ‘one on one mentoring’

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